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LensWork - Photography and the Creative Process

Podcast LensWork - Photography and the Creative Process
Brooks Jensen
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jen...

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  • HT2169 - Keylines and Other Edge Treatments
    HT2169 - Keylines and Other Edge Treatments There was a short-lived fad in the days of film when photographers would file out the negative carrier for their 35 mm film so that the edge of the film would be a part of the enlarged image. Sometimes this worked great, other times it looked like a silly gimmick. Here in the digital age, edge treatments are so easily accomplished and offer unlimited creative potential - as long as it doesn't become a gimmick.
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  • HT2168 - Enlargement Limits
    HT2168 - Enlargement Limits In my film days, I did extensive research about enlargement factors for my film negatives. How much enlargement was possible before the image started to break down, soften, reveal grain, and in general turn yucky? Regardless of film size, the nature of gelatin silver was that the limits of enlargement were universally 4X. What about digital images?
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  • HT2167 - Stop Looking for Shortcuts
    HT2167 - Stop Looking for Shortcuts For reasons I suspect are deeply held inclinations, it seems that photographers are always looking for shortcuts. The demand for plug-in, one click "treatments" grows with every generation of both software and photographers. We want to arrive without having taken a journey. What if the journey was the point? What if the art life is not a destination, but an ever-unfolding process that we engage because of the challenges and surprises we uncover along the way?
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  • HT2166 - Meeting Expectations
    HT2166 - Meeting Expectations What is it that differentiates a good photograph from a lesser one? I'm asking this question seriously. If we can't answer it, how can we expect to make good photographs? When I press this question further, the answer seems to be that a good photograph is one that meets the viewers expectations. In my way of thinking, meeting expectations is the worst thing we can do with our images.
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  • HT2165 - PBWA - Virtues and Pitfalls
    HT2165 - PBWA - Virtues and Pitfalls I love to photograph by wandering around. I find some of my best photographs exploring unknown roads. On the other hand, I can waste a lot of time down those dirt roads because I find there's nothing there of photographic interest. But is this true? Is there nothing there or is it simply that my wandering has not coincided with the right season, weather, or my mood?
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Über LensWork - Photography and the Creative Process

Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience. Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
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