HT2447 - Zines vs Chapbooks
A couple of days ago, I received three "zines" in the mail that came from a LensWork reader. They were lovely and I enjoyed her photography a great deal. They were very close in physical dimensions to my 6R chapbooks. This got me thinking about what's the difference between commercially printed zine and a handmade chapbook. Is it as simple as one is disposable and the other is collectible? I'm not sure about this.
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HT2446 - Caravaggio Ignored His Eyes
HT2446 - Caravaggio Ignored His Eyes
Caravaggio, the Italian painter from the 16th century, is well known for his use of a technique called "foreshortening." Today we would call it " focus stacking." It's curious to me that this view of the world is impossible for the human eye. Essentially, Caravaggio had to ignore his eyes and what he saw in order to paint using this technique that seems so real.
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HT2445 - To Increase Sharpness, Move the Sun
HT2445 - To Increase Sharpness, Move the Sun
Yes, lens sharpness, stabilization techniques, and resolution all add to build a sharp image. As a pragmatic photographer, however, I can't help but observe and admit that the most important way to increase apparent sharpness is to use the angle of incidence between the light source and the subject that maximizes visible contrast and detail. Light that strikes the subject at an extremely low angle does more to increase detail than buying a sharper lens.
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HT2437 - What I Hope to Accomplish with These Thoughts
HT2444 - Dark Writing
I've thought for years that photographers often think about tones exactly backwards. There are lots of photographic gurus who preach that we must pay special attention to the light. Early in my dark room days, it seemed obvious to me that we don't create a print by adding light to the paper, that instead we start with white paper and add shadows. Photography is supposedly "light writing" but getting the blacks right is what we actually do.
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LW1480 - Art and Story
LW1480 - Art and Story
Art, as an inanimate object, doesn't do anything, Art doesn't do, it tells — it tells us about some thing, some place, some person, some moment, some feeling, some idea. Art can cause something in us to take place by simply looking at the artwork and thinking about what we see. That process of looking and thinking lays bare the fact that every piece of artwork is a launching pad for a story, or perhaps a cluster of stories. There are biographic stories, production stories, materials stories, acquisition stories, relationship stories, provenance stories. This list can be quite lengthy. To me as an artmaker, the ones that are most interesting are always about the content, which so often is tied to metaphor and meaning. This is the realm of the artmaker.
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You might also be interested in. . .
Every Picture Is a Compromise, a series at www.brooksjensenarts.com.
and...
"How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.
Über LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
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