Iconoclast Art History

Caro Fowler and Christophe Koné examine the relationship between fashion and the museum, asking what is gained—and lost—when garments become museum objects. Their conversation explores the history of fashion exhibitions, the transformation of couture into cultural heritage, the decline of home sewing and pattern culture, and the changing relationship between clothing, the body, and materiality. Moving between the Met's new fashion galleries, archival practices, and contemporary museum displays, they consider how museums shape the ways we understand fashion as both a historical artifact and a living cultural practice.

In this episode, Caro Fowler and former RAP fellow Sora Han revisit Édouard Glissant's Poetics of Relation and his frequently invoked concept of "the right to opacity." Beginning with Glissant's dedication to the murdered Jamaican poet Michael Smith, they explore the relationship between poetry, sound, and performance, asking what becomes possible when we return to foundational texts with fresh eyes and ears.

After visiting Raphael: Sublime Poetry at the Metropolitan Museum of Art, Caro Fowler emerged with a transformed understanding of Raphael. In this episode, she speaks with curator Carmen Bambach about the exhibition’s moving reframing of Raphael’s Madonna and Child paintings through the lens of maternal and infant mortality in Renaissance Italy. Together they explore the role of biography in art history, Raphael’s extraordinary drawings, and what becomes visible when we take the female body seriously—not as an object of desire, but as a force that makes life, art, and the world itself.

Caro Fowler and Will Schmenner investigate the museum as a recurring cinematic space. Moving from Ferris Bueller's Day Off and Vertigo to Ghostbusters and Dressed to Kill, the conversation explores how films use museums as sites of attention, transgression, desire, and institutional critique. Fowler and Schmenner consider the relationship between cinema and painting, the politics of conservation and display, and the enduring tension between popular culture and “high” art, asking what happens when museums become spaces not only for education, but also for fantasy, memory, and social encounter.

Caro Fowler speaks with Joost Keizer about the consequential environmental histories embedded within seventeenth-century Dutch landscape painting. Moving beyond celebratory narratives of realism and national identity, the conversation explores how war, deforestation, land reclamation, and colonial expansion reshaped both the Dutch environment and artistic representations of nature. Together, Fowler and Keizer consider whether landscape painting emerged not simply from an admiration of nature, but from experiences of ecological loss, environmental control, and human concepts of making.