Slate Culture Feed

On today’s episode, host Kate Lindsay is joined by writer Sonia Weiser to discuss her piece, “I Made My Dating Profile Weird on Purpose. It’s Surprisingly Effective.” People have been frustrated with dating apps for some time, but now the rise of AI has made profiles boring and inauthentic. When everyone looks and talks the same, it’s even harder to find a spark. Instead, Sonia and a number of other dating app users have decided to stop taking the apps so seriously, and use them to shitpost their way to finding love instead.

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.
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These days, country and pop acts regularly invade each other’s territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.

John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.

Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.

Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.

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The sugarcane fields! La casita! Piraguas! Lady Gaga! Ricky Martin! An actual wedding! Bad Bunny’s immense and boisterous Super Bowl Halftime show brought a whole Puerto Rican universe to Levi’s Stadium and into American viewers’ homes. Julia and guest hosts Nadira Goffe and Rebecca Onion revel in the joyful spectacle and are joined by Slate writer Joshua Rivera to decode the inclusive politics of this party.

Next, the panel examines the bracing, anxiety-inducing film If I Had Legs I’d Kick You. Starring a ferocious and funny Rose Byrne and directed by Mary Bronstein, it’s a jittery, intense portrait of motherhood.

Finally, they discuss the hugely popular podcast The Rest Is History and ponder how two British dudes—Tom Holland and Dominic Sandbrook—talking about things like the Battle of Carthage captured so much attention and admiration.

In an exclusive bonus episode for Slate Plus subscribers, it’s time for some Wednesday morning quarterbacking to size up the big game’s real players: the commercials.

Endorsements

Nadira: The new album of footwork music OVERTIME by the underground hip hop outfit usertime and Marsh crane as well as the new album URGH by the English–French noise rock band Mandy, Indiana.

Rebecca: The novel The Director by Daniel Kehlmann and the 2011 appropriately moody Bronte adaptation Wuthering Heights directed by Andrea Arnold.

Julia: The new cookbook by Joshua McFadden Six Seasons of Pasta — try all the absurd little steps at least once, the cheese gravel is good!

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Email us your thoughts at [email protected].

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.
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Three weeks ago, U.S. Secretary of the Interior Doug Burgum shared an unusual tweet: a cartoon image of himself with his arm draped around a giant, anthropomorphized lump of coal. This piece of coal has big googly eyes and a smudge of a nose, and is wearing a safety vest and a hard hat. He is, frankly, adorable—and he has a name: Coalie.

When Coalie first appeared on the internet, he went viral—ridiculed on social media, in newsletters, and even on late night talk shows. And that’s because this big-eyed, cute piece of coal was widely understood to be coal propaganda, a tool to soften the coal industry’s image.

But the truth about Coalie is more complicated. His origins tell a story about what it’s like for federal employees to try to do their work while navigating the Trump administration’s agenda. Coalie may be widely seen as a mascot for coal mining, but that’s not what he was made for.

In this episode, you’ll hear from Simone Randolph, Director of Communications for the Office of Surface Mining Reclamation and Enforcement (OSMRE); Sara Eckert, formerly of OSMRE; Slate staff writer Nitish Pahwa; and Leah Stokes, who researches climate and energy policy at the University of California, Santa Barbara and co-hosts the podcast A Matter of Degrees.

Thank you to Daniel Raimi, Tony Ho Tran, and Hannah Northey.

This episode was written by Willa Paskin and Evan Chung and produced by Evan Chung, Decoder Ring’s supervising producer. Our show is also produced by Max Freedman and Katie Shepherd. Merritt Jacob is Senior Technical Director.

If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.

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On today’s episode, host Kate Lindsay is joined by Kat Tenbarge, who wrote “There's nothing funny about the Epstein Files,” to discuss how the internet has turned Jeffrey Epstein into a meme. While dark humor has long been a way to process tragic events, online shitposts about the sex offender and alleged sex trafficker risk minimizing his crimes. Instead of justice, the public is using the newly-released files to score internet points at the expense of victims.

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.
Hosted on Acast. See acast.com/privacy for more information.