My Weekly Mixtape: Music Discovery & Nostalgia

There are moments in life that feel too strange to be real — the kind you replay just to make sure they actually happened. This is one of those stories.
On Saturday, June 17, 2000, during Poison’s Power to the People tour at the PNC Bank Arts Center in Holmdel, NJ, I went from the crowd… to on stage with Poison.
One minute I’m watching a rock concert. The next, I’ve got Bret Michaels’ microphone in my hand, singing KISS’ “Rock and Roll All Nite” in front of thousands of people.
It wasn’t planned. It wasn’t staged. It wasn’t something I ever thought I’d experience at a Poison concert.
Since this was before everyone had a camera in their pocket—I have no footage, no photos, and no proof in the modern sense of proof. Just an unused Rikki Rockett drumstick… and one witness who was there with me.
In this episode, I’m telling the full story of what it was like to end up on stage with Poison, how it happened, and why moments like this don’t quite fit inside normal memory — especially when it comes to live rock concert stories.
If you’ve ever wondered what it’s like when the line between fan and performer disappears at a rock show… this one’s for you.

🎙️ LEARN MORE
🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠
💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠
🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠
📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠
👕 Shop MWM Gear: https://myweeklymixtape-shop.fourthwall.com/

This week, we're revisiting my feature-length interview with Tom Keifer, legendary Cinderella frontman, as he reflects on the band's enduring legacy, his acclaimed solo career, and the challenges that nearly ended it.
In this in-depth conversation, Tom shares the stories behind his critically acclaimed solo albums The Way Life Goes (2013) and Rise (2019), offering insight into his songwriting process, musical influences, and the transition from Cinderella frontman to solo artist. He also opens up about his long and difficult battle with vocal cord paralysis—a challenge that nearly ended his career—and the determination it took to rebuild his voice and return to the stage.
We also dive into the story behind the 2017 re-recording of Cinderella's iconic hit "Nobody's Fool," featuring Lzzy Hale of Halestorm, along with so much more from across the Cinderella catalog and Tom's ongoing musical journey.
Honest, thoughtful, and full of great stories, this conversation is a deep dive into resilience, reinvention, and legacy—or, as Tom would say—one for rock and roll.

🎙️ LEARN MORE
🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠
💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠
🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠
📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠
👕 Shop MWM Gear: https://myweeklymixtape-shop.fourthwall.com/

There’s a moment every parent (or anyone who’s been around kids long enough) recognizes — a song that gets played over and over again… and somehow doesn’t wear out its welcome. That space — where something clicks for kids and doesn’t lose the room for the adults — is harder to pull off than it sounds. And it’s exactly where Laurie Berkner has lived for decades.
This week, she joins me to talk about her new album, Walking With The Penguins — her first full collection of original songs in five years — and what it actually takes to make music that connects with kids without ever talking down to them.
We get into the push and pull behind songs that invite movement (especially when kids are being told to sit still), how interactivity becomes part of the songwriting itself, and why the best children’s music often works on a level that goes way beyond what people expect.
But what really stuck with me is something you don’t always think about — her audience is constantly changing. Kids grow up, new ones come in, and the cycle just keeps going. We talk about what that feels like as an artist… and what it means to create songs that live in someone’s earliest memories, even if they age out of them later.
It’s a conversation about craft, longevity, and a kind of musical impact that doesn’t always get talked about enough.
Photo Credit: Jayme Thornton

🎙️ LEARN MORE
🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠
💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠
🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠
📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠
👕 Shop MWM Gear: https://myweeklymixtape-shop.fourthwall.com/

Most people remember their first concert. I’ve talked about mine more than a few times — David Lee Roth and Poison on the 1988 Skyscraper tour. But the second one hits differently for a lot of people.
For me, it was Aerosmith and Skid Row on the Pump tour in 1990. I was 12, standing there completely wide-eyed, when Skid Row tore into “Piece of Me” and something just clicked — that bass line. That moment revealed how much attitude and power could live in the low end, and it played a big role in me picking up a bass.
This week, I’m joined by Rachel Bolan of Skid Row to talk about his debut solo record Gargoyle of the Garden State. We get into the DNA of the album — how it leans into his punk influences while still reflecting decades of defining Skid Row’s sound — and what punk really means when you strip it down to attitude over genre. We also talk about creative freedom after years in a band with a defined identity, and what it means to step outside that without losing your voice.
The conversation also covers collaboration, as Gargoyles features appearances from Corey Taylor, Nuno Bettencourt, Danko Jones, Steve Conte, Damon Johnson as well as contributions from fellow Skid Row bandmates — and how outside voices can either elevate a track or shift its intent. And, as a longtime obsession of mine, we dig into cover songs, ranging from Skid Row’s “Psycho Therapy” to Bolan’s take on Oasis’ “Rock & Roll Star,” and the balance between honoring an original and making it your own.
A conversation about influence, identity, and the long arc of music that started with a bass line in 1990 that still echoes today.
Photo Credit: Anabel DFlux

🎙️ LEARN MORE
🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠
💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠
🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠
📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠
👕 Shop MWM Gear: https://myweeklymixtape-shop.fourthwall.com/

Upbeat dance classics, pop anthems and heavier rock songs give you one feeling — but what happens when you slow them down, strip them back, and see what lies beneath the surface? This week on My Weekly Mixtape, I explore why slow cover songs often hit harder than the originals, taking familiar pop, rock, and dance hits and reshaping them into something far more intimate.
Across 10 mellow cover versions, I look at how tempo, space, and vocal delivery can completely transform the meaning of a song you thought you already knew. Does a feel-good pop anthem still work when it’s turned into a ballad? Can slowing things down turn energy into vulnerability, or nostalgia into an emotional gut punch?
Whether it’s the power of hearing lyrics without a driving beat, revisiting songs from a different stage of life, or discovering new emotional weight in familiar words, this episode dives into how slowed-down covers create intimacy, expose hidden emotion, and in some cases become the definitive version.

🎙️ LEARN MORE
🎵 Hear the Playlists / Browse the Catalog:⁠ https://myweeklymixtape.com⁠
💬 Join the Mixtaper Community (Patreon):⁠ https://patreon.com/myweeklymixtape⁠
🌐 Connect on Social:⁠ https://myweeklymixtape.com/social-media⁠
📧 Email the Show / Contact:⁠ https://myweeklymixtape.com/contact⁠
👕 Shop MWM Gear: https://myweeklymixtape-shop.fourthwall.com/