Kreative Kontrol

Mike Belitsky and Travis Good from the Sadies and Dave ‘Billy Ray’ Koster are here to discuss Live at 6 O’Clock by Gord Downie, The Sadies, and the Conquering Sun, Billy’s long and all-encompassing tenure in the working lives of Downie and the Tragically Hip as a technical director and confidante, how the Sadies and Downie connected and why he was so fond of playing with them, a look back at Downie’s first solo album Coke Machine Glow and him asking Travis to play on it, Downie’s deep love for artists like Fucked Up and Daniel Romano, insights about this collaboration and what the late Gord Downie and Dallas Good may have felt about it, when Downie planned to run the stage light show himself, poignant reasons for picking songs about ghosts and sadness for this live record primarily consisting of songs by other artists, further insights into how the Tragically Hip viewed Downie’s work outside of the band, Downie’s penchant for incorporating conversations and experiences he shared with Billy into his lyrics, the story behind “Introduce Yerself,” whether we may hear more unreleased music by Downie and the potential for Sadie to make a new album, upcoming tour dates, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1085: Richard Reed Parry
Ep. #1083: Rheostatics
Ep. #1082: Joe Pernice
Ep. #1071: Buck 65
Ep. #971: Change of Heart
Ep. #892: Fucked Up
Ep. #889: Rick White and The Sadies
Ep. #880: Guided By Voices
Ep. #842: Daniel Romano’s Outfit
Ep. #821: Kurt Vile
Ep. #744: Don Pyle
Ep. #590: Bob Young
Ep. #496: Iggy Pop
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Richard Reed Parry returns to discuss Were “The Watchtowers” by Dallas Good + Richard Reed Parry, his Skybarn recording studio, being a new dad and adjusting to life off the road, how he first got to know Dallas after they were randomly chosen to participate in a Dawson City Music Festival collaborative workshop, a shared love of the Everly Brothers and other key artists and records, instant friend crushes and a yearning to collaborate on music, how they wrote lyrics together in a shared, outdated daytimer, insights about how vocals and other recordings of Dallas were used posthumously, how the sessions for Colder Streams by the Sadies and the Watchtowers informed each other, a unique contribution by Neko Case and making an album with songs about the tragic loss of one of the creators of that same album, why it’s a Record Store Day exclusive, news about Richard’s other bands and pursuits, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1082: Joe Pernice
Ep. #1049: Rebecca Foon and Aliayta Foon-Dancoes
Ep. #889: Rick White and The Sadies
Ep. #857: Michael Feuerstack
Ep. #815: Geordie Gordon
Ep. #805: La Force
Ep. #703: The Sadies
Ep. #669: Dallas Good Remembered
Ep. #485: Richard Reed Parry
Ep. #191: Buffy Sainte-Marie
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Janel Leppin returns to discuss her new solo album Slowly Melting and Pluto in Aquarius by Janel Leppin's Ensemble Volcanic Ash, her ability to compartmentalize her visual art impulses from her musical ones, why she frequently releases more than one album on the same day, how Susan Alcorn and David Lynch remain constant inspirations, an eye-opening Mdou Moctar tour, making protest jazz music in a politically volatile time, her compelling and dynamic use of the cello as a lead instrument in jazz expressions, her tribute to Deerhoof, why she employs fuzz and distortion, loving pedals and naming songs after different ones, upcoming shows, another new record, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1069: The Messthetics and James Brandon Lewis
All Things Konsidered: The Beatles Anthology
Ep. #1003: Marissa Nadler
Ep. #975: Deerhoof
Ep. #919: Oren Ambarchi
Ep. #887: Janel and Anthony
Ep. #874: Mdou Moctar
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Dave Bidini and Dave Clark from Rheostatics are here to discuss The Great Lakes Suite, politics and tensions between the U.S.A. and Canada, contemporary protest music, what prompted this album’s concept and improvisational approach, featured contributions by Alex Lifeson from Rush, Kevin Hearn, Hugh Marsh, Tanya Tagaq, Laurie Anderson, Chief Stacey LaForme, Anne Carson, Liz Howard, Kendel Carson, Maiah Wynne, and Gord Downie, why Alex Lifeson was so blown away by Tanya Tagaq’s performance on this record, insights about Gord Downie’s posthumous appearance here telling a poetic story, Martin Tielli’s current status in Rheostatics, Alex Lifeson’s current status in Rheostatics, the excitingly unique way they plan to stage live shows to represent this album, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1031: Leanne Betasamosake Simpson
Ep. #424: Dave Bidini
Ep. #332: Billy Bragg
Ep. #294: Don Kerr of Communism
Ep. #272: Gord Downie [Archival; May 2010]
Ep. #65: Tanya Tagaq
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Joe Pernice is here to discuss his excellent new album, Sunny, I Was Wrong, living in frigid Canada as a well-informed American, his obsession with bicycles and riding bikes, his close friendship with music writer Warren Zanes who penned lovely liner notes for this new record, being a dad and coaching baseball with some encouragement from Buck 65, writing music again after a substantial break and from a very honest, reflective perspective, why he chose to release a record under his own name, the killer studio band he assembled featuring Jim Creeggan, Mike Belitsky, and Mike Evin, bringing in very special guests like Aimee Mann, Norman Blake of Teenage Fanclub, Rodney Crowell, and Jimmy Webb, what will become of the large number of unreleased songs he wrote and recorded towards this album, upcoming shows, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1071: Buck 65
Buck 65 on Bike For Three! (2009)
Grandaddy’s Jason Lytle (2012) – Teaser
Ep. #889: Rick White and The Sadies
Ep. #800: Buck 65
Ep. #703: The Sadies
Ep. #335: The Sadies on Long Night
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.