Bonsai Mirai: Asymmetry

Kindness. Humility. Generosity. These are words anyone discussing Harold Sasaki would use to describe this gentle giant of a man. But those of us who have been personally impacted by Harold know there is a tenacity to our teacher, a hunger for knowledge, a curiosity for what’s possible, and a glean of motivation in his eye that propelled him to be one of the greatest trailblazers and pioneers of bonsai culture in North American bonsai over the past fifty years. 

Through his facility, Colorado Bonsai Limited, Harold Sasaki, or Hal as friends call him, has been teaching bonsai to curious and passionate practitioners and inspiring the next generation of bonsai artists and professionals for over four decades. Harold was one of a handful of instructors in the Rocky Mountain region who introduced yamadori into American bonsai culture and was the leading authority on ethical yamadori collection. When the rest of our budding bonsai culture was looking for material in nurseries, Harold was embracing the wild forms of rugged trees from the Rockies and taking people on safari to share the passion and technique of sustainable collecting practices. 

Harold’s contributions go beyond pioneering the yamadori movement. He also sparked the flame of bonsai passion in known personalities including Mirai’s own Ryan Neil, Golden Arrow’s Andy Smith, First Branch Bonsai’s Todd Schlafer, Will Kerns, Adam Johnson, Tim Arsenault, and so many others who have gone on to do big things and contribute to the art of bonsai and culture in our country. In fact, when you look at the landscape of bonsai in North America today, it’s impossible to imagine our bonsai culture without appreciating the fingerprint of Harold’s impact, including the heartfelt generosity and spirit of sharing Harold imbued to his students that continues to expand and make our community so rich and robust. 

It was a pleasure and an honor for Ryan to sit down with his mentor and go back to the beginning of where Harold’s journey started, and to walk through the journey of one of American bonsai’s GOATs. Thank you Harold, it was a pleasure my friend. Enjoy!

Speaking with creative people about their medium and process is one of the greatest aspects of Asymmetry. To know how other artists view the world and express themselves through their work inspires and informs the tools we all summon to bring beauty through art into the world. Stephen Voss is a D.C. based photographer whose work we have admired at Mirai for over a decade. We initially were exposed to Stephen’s work through his book In Training, an intimate portrayal of the breaths between the words, and the spaces between the trees of the National Bonsai Collection. It was such a thoughtful publication of art and beauty that showed the depth Stephen interpreted the art form of bonsai with and the perspective he felt was valuable to share. Upon deeper dive we realized we were far more aware of Stephen’s photography than we realized. His images have graced the cover of magazines, captured some of the most influential people in the country in their element, and documented some of the most monumental moments in modern history.

 

Ryan and Stephen dive deep into their respective creative processes. From early beginnings and the growth of their creative selves to the actualization of projects based on their compiled experience in their fields, the conversation weaves in and out of personal and professional tidbits and insights. It was truly an honor to get to sit down with such a talented and influential photographer and we are excited to share the conversation. Enjoy!

From youth education in bonsai to elite alpine instruction where people’s lives are on the line, Joshua Stewart is an educational psychologist who is applying his expertise to a multitude of projects and disciplines. Even though we’ve been working with Josh for several years now it took sitting down with him on the podcast to fully understand what exactly he does. Ryan and Josh discuss the process of applying psychology, how he processes information, and how Josh takes his knowledge and observations to create strategies that dramatically impact the individuals and organizations he works with. The tangible outcome of Mirai’s collaboration with Josh is undeniable, and has created a template for youth education which continues to guide the way The One Tree Project approaches youth programs and participants. 

Beyond the immediate and obvious, this conversation helped us also recognize the breadth of educational psychology and its limitless application across less considered arenas of thought. Could this field potentially contribute to the “subjective” nature of bonsai appreciation? Could educational psychology assist in improving objective judging? Even without a concrete answer, it’s pretty clear applying educational psychology to the great conundrums of bonsai couldn’t hurt, and might just be able to help explain some of the greater questions we wrestle with. Who knows, maybe we would even gain a better understanding of ourselves in the process.

If you enjoyed the episode, be sure to check out Josh’s podcast Evidence in the Wild here to hear from other experts and colleagues in his world of educational psychology.

On a recent cold rainy morning prior to the start of the 100th Kokufu exhibition fellow bonsai professional Andrew Robson joined us to discuss the potential for expansion of display opportunities at the next Pacific Bonsai Expo. This show has rapidly risen as the premier exhibition of bonsai in North America, and the efforts of Eric Shrader, Jonas Dupuich, and Andrew Robson to create a destination to display bonsai at the highest level, opening the door to ideas that might allow people to think outside the box and do something special. Without any context for the discussion, Andrew and Ryan sat down to discuss the possibilities of what an artistic display could look like, how spaces could be created for contextual display, and ideas both professionals might have to transform a space into something that could conjure creativity. It was exciting to say the least. 

Beyond bonsai, Andrew and Ryan discovered their shared love of the art of suiseki and discussed Andrew’s stones that were presented in the recent Kokufu exhibition. It was a nice way to celebrate such a milestone of bonsai on a global level and to open the door for future discussions around stones and an art form that is under-appreciated, yet so powerful in its ability to transport practitioners. We invite you to sit back, relax, and enjoy!

You can find Andrew’s work here. 

Explore the Pacific Bonsai Expo for upcoming dates as well!

It might be an American thing to try and define how culture impacts bonsai, or it might just be a reality of this very deep artform we all love. Aarin Packard, curator of the Pacific Bonsai Museum in Federal Way, Washington, joins Ryan to discuss the subject and interviews Ryan about his thoughts for an exhibition the Pacific Bonsai Museum is working on in conjunction with this year’s World Cup. Aarin selected seasoned and respected bonsai personalities from around the globe to see just how present culture is in bonsai. His insights and shared tidbits are a tasty appetizer for what he’s got brewing later this year. We are excited to see what Aarin and his team discover, and honored to be involved. 

Take a look at some of the Pacific Bonsai Museum’s past exhibitions. 

Find out how you can contribute and take part.