Wasfi Kani, founder of Pimlico Opera and Grange Park Opera
Please note: This programme includes very strong, racist language describing the racial challenges Wasfi Kani faced when growing up in London.In this insightful interview, Norman Lebrecht sits down with Wasfi Kani, the visionary opera director and founder of Grange Park Opera. Kani, known for her innovative approach to opera and her commitment to making the art form accessible, shares her journey from tech entrepreneur to leading figure in the world of classical music. The conversation delves into her unique initiatives, including her work with the Pimlico Opera, which takes opera into prisons, and her mission to democratize opera for wider audiences.
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Norwegian soprano Lise Davidsen
Norman Lebrecht talks to the Norwegian soprano Lise Davidsen, about her meteoric rise to fame as one of the greatest operatic voices alive today.In this episode, Norman Lebrecht interviews Lise Davidsen, the rising star of the opera world renowned for her powerful voice and commanding stage presence. Davidsen discusses her meteoric rise to fame, her experiences performing on some of the world’s greatest stages, and the challenges and joys of interpreting some of the most demanding roles in the operatic repertoire. This conversation offers a glimpse into the life of a modern opera singer at the top of her game.
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American conductor Michael Tilson Thomas
Norman Lebrecht interviews the American conductor Michael Tilson Thomas about life, death, music and his memories of Gershwin, Bernstein and Stravinsky.
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John Adams
Norman Lebrecht talks to the American composer and conductor John Adams in the week that he conducts his opera Nixon in China at the BBC Proms.
Adams who was born in Massachusetts is one of the most celebrated composers alive. Many of his pieces are in the repertory, including his operas Nixon in China, the Death of Klinghoffer and his opera about Robert Oppenheimer, Doctor Atomic all of which receive stagings around the world and all of which he talks about in this interview.
Adams also talks about his early years learning the clarinet, imagining music in his head as he did his paper round and starting to conduct and compose.
Adams turned down the chance to go to Tanglewood to learn conducting and instead drove to the West Coast to broaden his experiences. Here he encountered some of the early minimalist composers and was involved in performing concerts of music by John Cage. As he developed his artistic personality Adams rejected both Cage's ethos and that of the modernists. Adams has always been concerned with music as expressing feeling and was as open to influences from rock and pop music as he was to music of classical composers. In this sense he believes his openness to a variety of influences makes him closer to a fellow New Englander, Charles Ives.
John Adams also tells Norman about his experiences with the US Homeland security, and how he was blacklisted and about his political views in this honest conversation.
Producer Tony Cheevers.
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Riccardo Muti
Norman Lebrecht talks to the great Italian conductor, Riccardo Muti, music director of the Chicago Symphony Orchestra. Muti's career has spanned key orchestras including the Philharmonia Orchestra, the orchestra of La Scala in Milan and the Vienna Philharmonic. Elegant and erudite, this is the first extended interview Riccardo Muti has given the BBC. He reveals his thoughts and feelings about Verdi and Rossini, about his professional relationship with his mentor, Herbert von Karajan, and about his sense of being an 'outsider' in the world of music, a normal man with an extraordinary job.
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