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On this week’s monster mash, Steve, Dana, and Julia gather around the proverbial reanimation laboratory to take on the nutty, goth, and unbridled The Bride! Maggie Gyllenhaal’s feminist—or not, it’s up for debate—retelling of Frankenstein features a truly committed performance from Jessie Buckley. Do the disjointed pieces add to a coherent whole? They discuss.

Next, they take a look at Paul McCartney: Man on the Run, the Morgan Neville documentary about the moment when the legendary songwriter and rockstar stopped being a Beatle and had to become something else.

Finally, they wade through the morass of titles like How to Tame a Silver Fox and Ms. CEO’s Baby Daddy Is the Merchant of Death to explore the exceedingly cheap and increasingly popular world of vertical micro-dramas via the app ReelShort.

In a bonus episode for Slate Plus subscribers, they tackle the question of when, in fact, one becomes an adult—inspired by a recent piece in The New Yorker by Shayla Love.

And if you’re watching the Oscars this week, don’t miss a chance for a special live pre-show with your fave Gabfest critics. Dana joins Isaac Butler, Nadira Goffe, and Sam Adams on Thursday, March 12, for an Oscars preview unlike any other. They’ll weigh in on the sinners and saints of this year’s award season.

Endorsements

Dana: The compilation of Kris Kristofferson songs The Essential Kris Kristofferson, especially the first disc.

Julia: The novels of Helen Garner, particularly The Spare Room.

Steve: Jean Guéhenno's account of life in Occupied France Diary of the Dark Years, 1940-1944.

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Email us your thoughts at [email protected].

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

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When Eyes Wide Shut opened in the summer of 1999, it was widely considered a disappointment. This final film from legendary director Stanley Kubrick had been sold as an erotic thriller, and potentially even a peek into the real sex lives of its then-married stars, Tom Cruise and Nicole Kidman. But Eyes Wide Shut was stranger than that: a meditative art film whose much-hyped orgy scene is more creepy than sexy, run by a cabal of rich and powerful men who prey on young women.

But Eyes Wide Shut has received a burst of new attention in the last few years, amid constant revelations about a real-life cabal of rich and powerful men who prey on young women. Across the internet, cinema sleuths have been asking: is it possible Eyes Wide Shut was not fictional? Was Stanley Kubrick trying to warn the world about a real conspiracy? And if so… was he murdered for it?

In this episode of Decoder Ring, we follow Lane Brown—a lifelong Kubrick fan and features writer for New York Magazine—as he investigates this conspiracy theory and what it says about how we deal with ugly facts and murky fictions.

This episode was written and produced by Max Freedman and edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.

If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.

Sources for This Episode
Barbezat, Michael. “‘Pizzagate’ and the Nocturnal Ritual Fantasy: Imaginary Cults, Fake News, and Real Violence,” The Public Medievalist, May 4, 2017.

Brown, Lane. “The Eyes Wide Shut Conspiracy,” New York Magazine, Dec. 17, 2025.

Ebiri, Bilge. “An Oral History of an Orgy,” New York Magazine, June 27, 2019.

Nicholson, Amy. “The Year Tom Cruise Gave Not One but Two Dangerously Vulnerable Performances,” The New York Times, Aug. 27, 2024.

Raftery, Brian. “Dream Team: Cruise, Kidman, Kubrick, and the making of Eyes Wide Shut,” New York Magazine, Apr. 15, 2019.

Shapiro, Lila. “What I Learned After Watching Eyes Wide Shut 100 Times,” New York Magazine, July 1, 2019.

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Who is the new supreme leader of Iran, and how does he differ from his predecessor father?

Guest: Graeme Wood, staff writer at The Atlantic and a lecturer in political science at Yale.

Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.

Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther.
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On today’s encore episode, host Kate Lindsay is joined by sociologist and content creator Josh Lora, who goes by @tellthebeees on TikTok and Substack. In his viral piece, “The Mainstreaming of Loserdom,” Lora explores how a generation of people is becoming proudly anti-social, often in favor of staying home on their phones. While less and less people may be partying, they’re not exactly happy about it. Are we doomed to doomscroll, or can we fight for our right to party again?

This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.
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This week and next, we’re talking to listeners about how chatbots are impacting their personal lives. Anna talks to a parent getting tips on how to raise a teenager, an American abroad who turned to ChatGPT for grief counseling, a therapist who says Claude is better than a lot of her peers, and a husband who says AI broke up their marriage.
Podcast production by Zoe Azulay
Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.
And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is [email protected].
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