Slate Culture Feed

Few inspirational phrases are quoted more often than Mahatma Gandhi’s “Be the change you want to see in the world.” It shows up on t-shirts, bumper stickers, even tattooed on people’s bodies. Life coaches, leadership trainers, and American presidents constantly cite it. There is one problem with this quotation, however: Gandhi never said it. And the story of how the “be the change” actually came to be—according to its true originator—is stranger, more intricate, and more astounding than you could ever expect.
In this episode, Decoder Ring’s Evan Chung speaks with Arleen Lorrance, the former Brooklyn high school teacher who actually brought “be the change” into the world in the 1970s. The surprising tale she has to tell involves grindhouse cinema, cosmic rays of light, and Vice President Al Gore. You’ll also hear from Diane Kennedy Pike, whose marriage to the controversial Bishop James Pike plays a pivotal and unexpected role in turning the quote into the inescapable maxim it is today.
This episode was written and produced by Evan Chung, Decoder Ring’s Supervising Producer. It was edited by Willa Paskin and Max Freedman, who also produce the show. Merritt Jacob is Senior Technical Director. Special thanks to Keith Akers.
If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.
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Ten years ago, the world was gearing up to welcome the first female president. Instead, Donald Trump’s surprise victory went on to alter America’s entire political landscape. It’s exactly what the people behind the Pussyhat Project feared. And yet, the pink knitted hat that took over the first of many Women’s Marches has gone on to become the opposite of the feminist symbol it was intended to be. Now, it’s a relic of white feminism, enacted at the expense of trans women and women of color. On today’s episode, host Kate Lindsay is joined by Anjali and Alison, the hosts of the Two Women Yelling About Knitting podcast, ahead of the Pussyhat’s ten-year anniversary to discuss what went wrong and what digital craftivism should look like.

This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.
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To mark John Prine’s 80’s birthday, Anna catches up with his wife Fiona. Then we revisit Anna’s 2018 conversation with John, where he discussed his bestselling album Tree of Forgiveness.
Podcast production by Cameron Drews.
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If you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, and critiques, is deathsexmoney@slate.com.
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As soon as Jane Doe filed her civil suit against Cornell University, the internet was up in arms. Everyone from Florence Pugh to Love Island contestants took to social media to share their disgust, imploring men to do better when it comes to preventing sexual assault. For those who lived through #MeToo, it all feels eerily familiar. On today’s episode, host Kate Lindsay is joined by writer and creator Kat Tenbarge to talk about how the internet is organizing in response to this news moment, and how we can avoid repeating #MeToo’s mistakes.

This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from Kevin Bendis.
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The 1980s yielded a bumper crop of near-miss hits—songs that stalled out at No. 2, No. 11, or No. 41 during their original Billboard runs but were vindicated in the streaming era. The song that lent its title to a Molly Ringwald movie missed the Top 40—twice. Stevie Nicks missed the Top 10 with what is now her most beloved solo song. And Bruce Springsteen missed his only chance at a No. 1 song thanks to another ’80s icon.

Today on Hit Parade: Chris Molanphy flashes back to the Reagan era to tally the greatest near-misses from Def Leppard, Huey Lewis, the Cars, Madonna, the Cure, Paula Abdul, Eddie Murphy, Prince and others.

For more about near-miss hits, listen to Hit Parade’s episode on the near misses of the 1970s.

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