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The Music Show

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  • Bleak Squad: a supergroup with DNA from Magic Dirt, the Bad Seeds and Dirty Three; and a striking conversation with percussionist Steven Schick
    Adalita and Marty Brown join Andy to talk about their new supergroup with Mick Harvey and Mick Taylor - they're called Bleak Squad and with a history of playing with Magic Dirt, the Bad Seeds, Dirty Three as well as with artists like PJ Harvey and Clare Bowditch, it's a quartet with some serious power. A moody, charismatic guitar band - the likes of which you don't hear that much these days - Adalita and Marty join Andy to report that the kids are, in fact, listening to guitars, and explain how four big personalities have unified so well. American percussionist Steven Schick returns to The Music Show, and to Australia: he's here to play a series of concerts and masterclasses at the Australian National Academy of Music. He's been playing professionally for about fifty years and he talks to Andy about the repertoire that he's helped expand in that time, and his second career as a conductor.Plus Laura Bowler gives us her pick for the Top 100 Books of the 21st Century. Vote for yours at the Radio National website!Bleak Squad are playing in Sydney, Queenstown and Melbourne in October. Find the details on their website. Their debut album Strange Love is out now. Music in this program:Title: RebondsArtist: Steven SchickComposer: Iannis XenakisAlbum: Percussion WorksLabel: ModeTitle: Lost My HeadArtist: Bleak SquadComposer: AdalitaAlbum: Strange LoveLabel: Poison City RecordsTitle: Blue SignsArtist: Bleak SquadComposer: Adalita (lyrics), Marty Brown (music)Album: Strange LoveLabel: Poison City RecordsTitle: Safe as HousesArtist: Bleak SquadComposer: AdalitaAlbum: Strange LoveLabel: Poison City RecordsTitle: Bone AlphabetArtist: Steven SchickComposer: Brian FerneyhoughAlbum: Born To Be WildLabel: Newport ClassicTitle: AequilibriaArtist: Steven Schick, International Contemporary EnsembleComposer: Anna ThorvaldsdottirAlbum: AequaLabel: Sono LuminusThe Music Show is made on Gadigal and Gundungurra CountryTechnical production by Ann-Marie Debettencor
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  • Irish trad-punk for the 21st century with the Mary Wallopers, and music for dark times with Deborah Cheetham-Fraillon
    The Mary Wallopers are in Australia, far from their hometown of Dundalk in Ireland's County Louth. They're a raucous, political band with a folk/punk inheritance from bands like The Dubliners and the Pogues. Charles Hendy, who formed the band alongside his brother Andrew, is Andy's guest.We welcome Yorta Yorta/Yuin composer and soprano Deborah Cheetham Fraillon back to the music show to discuss the release of Eumeralla, A War Requiem for Peace on ABC Classic. This powerful requiem, sung in Gunditjmara dialects by Indigenous and non-Indigenous choirs and soloists, commemorates the brutal Eumeralla War of the late 19th century fought between Gunditjmara people and colonists in South Western Victoria. Deborah is also singing in Michael Tippett’s A Child of Our Time with Sydney Philharmonia Choirs at The Sydney Opera House on Saturday September 13. 
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  • Bold performances in music new and old: Carolyn Sampson and Joseph Havlat
    Carolyn Sampson is an English soprano who began her career in early music (Bach and before), working with some of the world's best-known specialists in historically informed performance. These days, she is just as likely to be heard singing Mahler. She talks about her developing career in a conversation recorded at this year's Australian Festival of Chamber Music. Also from the Festival, the fearless Australian-born, London-based pianist Joseph Havlat. He enjoys the challenge of new music and the more virtuosic the better. But he is also a composer, his music defying categorisation, veering between the deeply serious and hilariously funny - sometimes in the same piece. He talks to Andrew Ford about his playing and composing, and how they intersect.
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  • Music teachers on screen, and how to score a film
    Was your music teacher anything like the ones in the movies? Three academics - Hugh Gundlach and Rhiannon Simpson from Melbourne University and Katrina Rivera from ANU - join Andy to interrogate cinematic depictions of music teachers. From the dictators (Whiplash) to the heroes (Mr Holland's Opus) and the chaos engines in between (School of Rock), what do our fictional music teachers tell us about music education in the real world? And Freya Berkhout is an Australian film composer who made a leap of faith by moving to Hollywood two years ago, and she hasn’t looked back. Freya joins Andrew Ford to talk about surviving in the film industry 'machine', her approach to scoring comedy and horror, and the prevalent use of her voice in her soundtracks. Freya scored the documentary Surviving Malka Leifer, which just premiered at Melbourne International Film Festival.Surviving Malka Leifer is screening in the Jewish International Film Festival on September 18th (Sydney), and September 21st (Melbourne), and will be available to stream on Stan from October 5th.
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  • 80 years since the end of WWII: the Music of Remembrance with Jeremy Eichler
    Four pieces of music written in the years after World War II – Strauss’s Metamorphosen, Schoenberg’s A Survivor from Warsaw, Britten’s War Requiem, and Shostakovich’s 13th Symphony, ‘Babi Yar’  – paint a complicated picture of how European composers memorialised war in Jeremy Eichler’s new book Time’s Echo. Jeremy joins Andy on the show to trace the connections and conflicts in the ways that a German, a Jewish Austrian in exile, an Englishman, and a Russian looked back at the war(s) and the Holocaust.This program was first broadcast in April 2024.
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