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The Music Show

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The Music Show
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  • Midge Ure on punk, pop and Ultravox and Nina Korbe on opera and advocacy
    Midge Ure is a musical chameleon, his career having taken him from boy band, Slik (stable mates of the Bay City Rollers), to punk band, Rich Kids (with ex-Sex Pistol, Glen Matlock), to singer, guitarist and keyboard player with Ultravox, penning one of the great New Romantic anthems, “Vienna”. For the past thirty years he’s been a solo artist with an ever-evolving songbook and later this year he’s bringing it to Australia. He talks to Andy about his varied career and why Ultravox was never really synth pop – not when their biggest hit contained a viola solo.Nina Korbe is Koa, Kuku Yalanji, and Wakka Wakka singer and broadcaster. She joins Andy to talk about her operatic and music theatre career on the rise, and her advocacy work introducing kids from her family's traditional lands to orchestral performance.
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  • Putting together the pieces of Meredith Monk, and Christine Anu wins the 2025 NAIDOC Creative Talent Award
    Aboriginal and Torres Strait Islander listeners are warned that the following program may contain the name and voices of people who have died. Meredith Monk is the subject of Billy Shebar's documentary Monk in Pieces, which will have its Australian premiere at Melbourne International Film Festival. Monk, now 82, has a storied career as a composer, vocalist and choreographer as well as many other artistic pursuits, leading to savage reviews and bumpy relationships with traditional opera companies across her career. But her unique creativity has inspired people like David Byrne and Björk, both of whom appear as her advocates in Monk in Pieces. Billy Shebar joins Andy to trace the process by which he assembled the pieces. Australian music icon and proud Torres Strait Islander Christine Anu has just been given the NAIDOC Creative Talent Award for 2025. Last year, she released her first album of new music in 20 years. Waku-Minaral A Minalay was recorded across the Pacific in places like New Zealand, Papua New Guinea, the Torres Strait Islands and the Solomon Islands - utilising traditional percussion instruments like the Warup (drums), the Urub (shakers) and the Kulap (seed pot rattles). It’s a deeply personal bilingual album which includes songs written by Christine Anu, her grandfather and her daughter. 
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  • Listening to Country with composer James Howard, and the Stiff Gins celebrate 25 years
    For Jaadwa composer, sound artist and electronic musician James Howard, sound, Country and identity are inextricable. His latest release is a reworking of his score for Australian Dance Theatre's Marrow, a work which interrogates our dominant cultural narratives, written amidst the 2023 referendum. He also recently had his orchestral composition Nyirrimarr Ngamatyata / To Lose Yourself at Sea premiered by the Melbourne Symphony Orchestra.The Stiff Gins are 25 years into what they hope is a lifelong partnership. Yuwaalaraay woman Nardi Simpson and Yorta Yorta and Wiradjuri woman Kaleena Briggs look back at a quarter century of making music together, from their first meeting at Eora college, to the changing landscape of language and touring. Back in 2023 they chatted to Andy and performed two songs live in The Music Show studio. 
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  • Remembering Lalo Schifrin, and how an organ can make a town come alive
    The Argentine composer and pianist, Lalo Schifrin, will be best remembered as the creator of the syncopated, five-in-a-bar theme for Mission: Impossible, but he was much more than that. As a child in Buenos Aires, he studied piano with Enrique Barenboim (father of Daniel) and later, in Paris, composition with Olivier Messiaen. In addition to his other TV work (Mannix, Starksy & Hutch) and film scores (Cool Hand Luke, Bullitt, Dirty Harry, Enter the Dragon), Schifrin composed and arranged for Dizzy Gillespie and pioneered "Jazz meets the Symphony" concerts, with which he travelled the world. He died last week, aged 93, and we remember him with an interview from 2006.This year marks 200 years of organ music in Australia, after the first instrument was brought on a convict ship to Hobart from London in 1825. Thomas Heywood is an organist based in Bendigo and speaks to Andrew about how the gold rush a few decades later lead to an influx of pipe organs in his region, changing the personalities of the towns (and seeing Bendigo dubbed "the Vienna of the south"). The Keys Of Gold festival is happening throughout July in Bendigo, Castlemaine, Maldon and Inglewood, and Thomas speaks to Andrew about programming organ repertoire for modern tastes, and his abiding love of these grand instruments.
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  • Brian Campeau's country-tinged left turn, and Erik Satie—from the sublime to the surreal
    Brian Campeau Presents Jo Dellin And The Bone Spurs is the latest album from the Canadian-born, Melbourne-based singer songwriter. Reinventing his sound with each record, the music here forays into country and bluegrass, with songs of love and loss punctuated by fiddle, pedal steel guitar and… yodelling. Brian is in The Music Show studio to perform two songs from the album live and talk about his endless musical flexibility.And on the 100th anniversary of his death, Andy remembers Erik Satie, composer of delicate, contemplative piano works, and “obscene” operas. A true eccentric, his personal quirks (such as keeping two broken pianos on top of each other in his flat, one filled to the brim with unopened mail) paint a complicated picture when set alongside his meditative, introspective Gnossiennes and Gymnopédies. Pianist and conductor Reinbert De Leeuw speaks about the unique challenges of performing them, in an interview from The Music Show archives.Plus, hear new music from jazz guitarist Mary Halvorson, and The Rolling Stones pay tribute to 'the king of zydeco' Clifton Chenier.
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