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Critic Nicolas Rapold talks with guests about the movies they've been watching. From home viewing to the latest from festivals and retrospectives. Named one of ...
Ep. 281: Errol Morris on Separated, his documentary about divisive border policy under Trump
Ep. 281: Errol Morris on Separated, his new documentary about the Trump immigration policy of separating children from families
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Separated, the latest documentary from the Academy Award-winning filmmaker Errol Morris, is about the people and bureaucracy behind the border immigration policy enforced by the first Trump administration: namely, to separate children from their families at the border as a deterrent. In this new interview, Morris spoke with me about the moral implications of such a policy; about the dangerous moment in American history now, about his own personal history; about his use of dramatization; and about key figures who opposed the policy (Jonathan White, in the Office of Refugee Resettlement) and enforced it (Scott Lloyd, director of the ORS, and Kirstjen Nielsen, secretary of Homeland Security, both political appointees).
Separated airs on December 7 on MSNBC, and is also screening in select theaters nationwide. It is based on the book Separated: Inside an American Tragedy, by NBC correspondent Jacob Soboroff, who also appears in the film.
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Photo by Steve Snodgrass
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Ep. 280: IDFA 2024 with Abby Sun on A Want in Her, An American Pastoral, TWST, 1957 Transcripts
Ep. 280: IDFA 2024 with Abby Sun on A Want in Her, An American Pastoral, 1957 Transcripts, TWST
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For my next dispatch from the International Documentary Festival Amsterdam 2024, I sat down with Abby Sun, editor-in-chief of Documentary Magazine, who has also programmed extensively. Amid the hustle and bustle at IDFA we discussed A Want in Her (directed by Myrid Carten), An American Pastoral (Auberi Edler), The 1957 Transcripts (Ayelet Heller), and TWST (Andrei Ujica). An American Pastoral won an IDFA Award for Best Directing - International Competition.
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Photo by Steve Snodgrass
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Ep. 279: IDFA 2024 with Artistic Director Orwa Nyrabia, feat. The Guest, The Propagandist, and more
Ep. 279: IDFA 2024 with Artistic Director Orwa Nyrabia, feat. The Guest, Higher Than Acidic Clouds, A Frown Gone Mad, Chronicles of the Absurd
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This year at the International Documentary Festival Amsterdam, where I have seen so much outstanding work, I was fortunate to sit down with its artistic director, Orwa Nyrabia. The 2024 IDFA edition is the seventh edition under his leadership, and at the end of his term next summer he will be stepping down, so I asked about some of this year’s programming and he shared some valedictory thoughts. Films discussed (based upon what I had seen at this point, earlier in the festival) included: The Guest (Zvika Gregory Portnoy and Zuzanna Solakiewicz), Higher Than Acidic Clouds (Ali Asgari), A Frown Gone Mad (Omar Mismar), Chronicles of the Absurd (Miguel Coyula, featuring Lynn Cruz), and The Propagandist (Luuk Bouwman).
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Photo by Steve Snodgrass
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Ep. 278: Sean Baker on Anora and its influences, and highlights from his recent watches
Ep. 278: Sean Baker on Anora and its influences, and his recent viewing
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. We’re back with an extra-special episode that’s chock full of pure movie love! Written and directed by Sean Baker, Anora starring Mikey Madison keeps winning over audiences as it’s expanded to theaters across the country, with its New York story of a stripper (Madison) and her star-crossed relationship with a billionaire’s son (Mark Eydelshteyn). Baker is a voracious cinephile, so I jumped at the chance to sit down with him on The Last Thing I Saw and talk about the movie influences on Anora – plus some choice making-of details – and also what he’s been watching. His movie-watching range was an absolute delight to hear about, and I won’t spoil it here – so have a listen and enjoy!
Anora won the Palme d'Or at the 2024 Cannes film festival, where it premiered. Baker's other films include The Florida Project, Tangerine, Starlet, Prince of Broadway, Red Rocket, and another New York-set movie, Take Out.
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Photo by Steve Snodgrass
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Ep. 277: Shonni Enelow on Acting: We’re All Going to the World’s Fair, Mid-to-Late Rohmer, The Beast
Ep. 277: Shonni Enelow on Acting: We’re All Going to the World’s Fair, Mid-to-Late Rohmer, The Beast
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I’m happy to welcome back scholar Shonni Enelow for another thoughtful chat about acting and performance, and how they reflect or respond to changing times. Enelow, a professor at Fordham University who just published a new book on Joanna Hogg, writes an acting column at Reverse Shot. We talk about realism in 21st-century acting and direct address through her first column’s subject, We’re All Going to the World’s Fair, as well as I Saw the TV Glow, both directed by Jane Schoenbrun. Then we discuss the distinctive performances and styles of self-presentation in Bertrand Bonello’s The Beast and two mid-to-late films of Eric Rohmer.
Please support the production of this podcast by signing up at:
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Photo by Steve Snodgrass
Critic Nicolas Rapold talks with guests about the movies they've been watching. From home viewing to the latest from festivals and retrospectives. Named one of the 10 Best Film Podcasts by Sight & Sound magazine. Guests include critics, curators, and filmmakers.
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