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Talkhouse Podcast

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  • Chris Carrabba (Dashboard Confessional) with Evan Weiss (Pet Symmetry, Into It. Over It.)
    On this week's Talkhouse Podcast we’ve got two old friends who’ve contributed more than their fair share to the emo world and beyond and lived to tell the tale: Evan Weiss and Chris Carrabba. Carrabba is of course the main creative force behind Dashboard Confessional, whose early albums—specifically The Swiss Army Romance and The Places You Have Come to Fear the Most—basically invented the genre’s confessional acoustic-based era. He could’ve made those records a dozen times over the past 20 years, but instead Carrabba filled out Dashboard’s sound over the years, stretching out where the muse took him. Now an elder statesman, Carrabba returned to that simpler sound but brought years of wisdom with him for 2022’s All the Truth That I Can Tell, which he talks about in this great chat. Dashboard will head out on a long summer tour with Goo Goo Dolls starting July 13, but not before playing a show with Weiss’s band in Vegas the day before. Weiss’s band would be Pet Symmetry, a trio he’s been part of for the past decade or so, and which just released an excellent new album: Big Symmetry is a big, loveable, tuneful set of songs that all start with the word “big.” It’s a joyful blast of pop-punk that feels like a deliberate antidote to tough times. It may also be a bit of a reaction to what fans would consider Weiss’s main band, Into It. Over It., which flies that emo flag a bit higher. But whatever, those tags are pretty silly when we ought to be talking about songs. Speaking of, check out the song “Big Wish” from the album Big Symmetry right here. In this wide-ranging chat, Carrabba and Weiss talk about the holiness of punk community, the accidental origins of Dashboard Confessional plus that band’s long hiatus and rebirth, and how the financial collapse of 2008 had opposite effects on their careers. It’s true! Enjoy. 0:00 – Intro 2:21 – Start of the chat 4:45 – On psychedelics 6:34 – Best venue to play a gig (and watch a gig) 13:27 – Were you ever over your head with Dashboard Confessional? 19:00 – Three pieces of advice for younger bands 25:50 – How has Dashboard Confessional evolved? 34:30 – The '08-'09 music era 39:59 – Does increased music access lower fan excitement? 41:25 – One more piece of advice: Take control 46:33 – One more (last) piece of advice: Honor the people who helped you 50:20 – Carrabba on his superpower Thanks for listening to the Talkhouse Podcast, and thanks to Chris Carrabba and Evan Weiss for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the other great podcasts in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠Talkhouse Podcast Network⁠. Visit ⁠talkhouse.com⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠Instagram⁠, ⁠Bluesky⁠, ⁠Twitter (X)⁠, ⁠Threads⁠, and ⁠Facebook⁠.
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  • Nobody’s Ever Asked Me That: Michel Gondry
    On the latest episode of this new Talkhouse Podcast spin-off series, host Nick Dawson sits down with visionary writer-director Michel Gondry, whose delightful new film, Maya, Give Me a Title – a hand-drawn 60-minute feature he originally made just for his young daughter – is currently on the festival circuit. In a wide-ranging conversation, the two talk about childhood, him learning a sense of play from cats, the pivotal moment when he decided to work only on his own terms, taking David Lynch’s advice for his 2015 movie Microbe and Gasoline, watching that same movie alone a plane, why people’s fixation on the Bermuda Triangle is nonsense, and much more. For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
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  • Kurt Vile with Francie Medosch (Florry)
    On this week’s Talkhouse Podcast we’ve got a lively chat between Philly friends Kurt Vile and Francie Medosch. Medosch is the singer and main creative force behind the band Florry, which exists in the same sonic universe as Courtney Barnett and the currently exploding MJ Lenderman—loose, rocking, a little bit jammy, a little bit indie, and frequently catchy as hell. The Lenderman connection makes even more sense when you realize that the upcoming Florry album was recorded with help from Colin Miller, who plays in Lenderman’s band and has recorded music from the band Wednesday. That upcoming Florry album is called Sounds Like… and it’s due out May 23 on Dear Life Records. It’s a corker, kinda rambly and rockin’ in all the right ways. You can pre-save and pre-order at all the usual spots. Check out the song “Hey Baby” right here. The other half of today’s chat is a longtime supporter of Florry’s, fellow Philadelphian Kurt Vile. Vile first came out swinging as part of the War on Drugs way back when, but pretty quickly established himself as a genius of hazy, dazed guitar songs pitched somewhere between the ‘70s squall of Neil Young and more contemporary indie-rock. As you’ll hear in this chat, Vile is working—at his own pace, of course—on the follow-up to 2022’s Watch My Moves. Whenever it’s finished, it’s sure to be intriguing, like all of his work. In this chat, Vile and Medosch talk about their shared hometown as well as the fact that Medosch recently moved to Vermont and is working in both a dispensary and a record store—kind of a perfect combo to describe her music, come to think of it. They also chat about a lot of stuff that they love, including John Prine, the recently departed Michael Hurley, and the deeply lovable Bob Odenkirk, who Vile was very excited to meet recently. Enjoy. Chapters: 0:00 – Intro 2:07 – Start of the chat 3:00 – On Jobs 5:30 – Writing songs in your head while you're working 6:58 – On Florry's new album, Sounds Like… 13:04 – "I hate headphones" 15:59 – On Kurt Vile's brother, Jelloman, stealing Kurt's van 18:02 – The six degrees of MJ Lenderman 23:25 – On Michael Hurley 28:38 – On John Fahey 30:10 – On Philly 33:50 – On Bob Odenkirk 40:05 – What's new with Kurt Vile Thanks for listening to the Talkhouse Podcast and thanks to Kurt Vile and Francie Medosch for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and while you’re at it check out all the great podcasts in our ever-growing network, including Subway Takes, Life of the Record, and many more. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
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  • Podcast Preview: How Long Gone x Bon Iver
    A bonus interview by How Long Gone's Chris Black and Jason Stewart with Justin Vernon (Bon Iver). Watch the companion video version on YouTube. Subscribe to How Long Gone. Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
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  • Clairo with Hannah Cohen
    On this week’s episode of the Talkhouse Podcast, we’ve got a pair of fantastic songwriters and friends who travel in the same musical circles, and who’ve both released disarmingly charming records recently: Clairo and Hannah Cohen. Clairo has been making music since she was a teen, and her songs and sounds have a remarkable depth and breadth of influence, from ‘70s soft-rock to more worldly sounds. Her early viral success pointed to a pop-star trajectory, but Clairo always seems to choose a more interesting sonic path over the more obvious one. Her third album, Charm, came out last year, and it leans into a bit of slinky groove more than she had in the past. Check out the song "Juna" right here. The other half of today’s conversation is Hannah Cohen, who tapped a bunch of cool guests—including Clairo—to help out on her new album. Earthstar Mountain is Cohen’s first in more than five years, and you can hear the care she put into it: It’s an understated but deeply considered ode to her surroundings, the Catskills—and it sounds like that area feels. She made the record with her partner Sam Evian—a Talkhouse alum himself—at their upstate New York studio, Flying Cloud. It doesn’t sound rushed, which is a topic you’ll hear in this chat. In addition to Clairo, it features a guest appearance from Sufjan Stevens. Check out the song “Rag” right here. These two friends get right into a delightful chat that covers Cohen’s record, including the mushroom that inspired its title. They also chat about how working on music with your romantic partner can be its own form of therapy, and they get deep into soundtracks toward the end, tossing around the idea of making one, even without a movie to hang it on. Enjoy. Chapters: 0:00 – Intro 2:02 – Start of the chat 2:30 – On mushrooms and 'Earthstar Mountain' 8:55 – Cohen on making music with her romantic partner, Sam Evian 12:30 – "Artists are so in tune with things on a whole different level" 19:20 – On the song "Rag" 24:45 – "Take what you need from [my] songs; find your own meaning" 30:05 – On soundtracks Thanks for listening to the Talkhouse Podcast, and thanks to Hannah Cohen and Clairo for chatting. If you liked what you heard, check out all the great stuff at Talkhouse.com, and be sure to follow and rate us wherever you listen to podcasts. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
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