The Shakespeare and Company Interview

Amit Chaudhuri joins Adam Biles to discuss his new novel Chateau Rouge, set not in the postcard Paris of Hemingway and Midnight in Paris, but in the neighbourhood around Gare du Nord — a Paris that resists being known, curated, or confirmed.
Chaudhuri talks about writing against the "already known" city, drawing on Roland Barthes and the idea of "heritage modernity" to explain why he wanted to deconstruct Paris's status as a museum-piece rather than a lived-in place. He discusses his narrator's disorientation on arrival, the subtle presence of race and visibility in the book, and how global events — the Gilets Jaunes, the Notre Dame fire — pass through the novel as lived, unfinished moments rather than history. The conversation turns, too, to marriage: how a decades-old, unread copy of A Moveable Feast, gifted by his wife, becomes a quiet emotional throughline.

Buy Château Rouge: https://www.shakespeareandcompany.com/books/chateau-rouge

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Amit Chaudhuri is the author of nine novels, whose ‘languorous, elliptical, beautiful prose is impressively impossible to put in any category at all’ (Salman Rushdie). He is also an essayist, poet, short story writer, singer and composer.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
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M. John Harrison returns to the Shakespeare and Company Podcast to talk with Adam Biles about his new novel, The End of Everything, a disaster story set in a "wrong UK" where societal collapse coincides with the arrival of an alien presence, and the strange shape-shifting "artefacts" it leaves behind.

Harrison discusses writing an "epistemological" catastrophe rather than a physical one, the decades of discipline it took to trust readers without over-explaining, and how the book's permacrisis mirrors post-2008 Britain and Brexit. He talks character-building from "bits and pieces" of real people, why he refuses to fully reveal his monsters, and how AI anxieties seeped into a book largely conceived before ChatGPT.

Buy The End of Everything: https://www.shakespeareandcompany.com/books/anabasis-2

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MICHAEL JOHN HARRISON is the author of, among others, the Viriconium stories, The Centauri Device, Climbers, The Course of the Heart, The Sunken Land Begins to Rise Again, Signs of Life, Light and Nova Swing. He has won the Boardman Tasker Prize (Climbers), the James Tiptree Jr Award (Light), the Arthur C. Clarke Award (Nova Swing) and the Goldsmiths Prize (The Sunken Land Begins to Rise Again). He lives in Shropshire.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
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Edward Chisholm joins Adam Biles to discuss Murder in Paris '68, his deep-dive into the Markovic Affair, one of the most explosive scandals of postwar France. In October 1968, the dismembered body of Stevan Markovic, a Yugoslav immigrant and bodyguard to Alain Delon, was found on the outskirts of Paris. The case implicated France's most iconic film star, the Corsican “milieu”, and eventually the Élysée Palace itself.

Chisholm traces how he stumbled onto the story in an obscure Parisian crime library, and what followed: years of obsessive research, classified archives in the suburbs of Versailles, and a surveillance-heavy reading desk watched over by attentive archivists. The conversation covers Delon's impenetrable persona, the Ripley parallels, France's Resistance-era ties between politicians and gangsters, and why a murder nobody solved still can't be fully declassified today.

Buy Murder in Paris ’68: https://www.shakespeareandcompany.com/books/murder-in-paris-68-2

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Edward Chisholm was born in Dorset, England, and moved to Paris in 2012 where he worked all manner of low-paid jobs, from waiting and bar work to museum security and market hand, while trying to build a career as a writer. His memoir, A Waiter In Paris has sold over 100,000 copies and has been translated into several languages. Now, Chisholm makes a living as a creative director, author and screenwriter, based in Switzerland. His writing has appeared in the New York Times, the Guardian and the Financial Times magazine.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Hosted on Acast. See acast.com/privacy for more information.

Recorded for Bloomsday 2026. If you're in Paris and it's still June 16th, join us between 2pm and 5pm at Shakespeare and Company, 37 Rue de la Bûcherie, Paris.

Find the film here:
https://vimeo.com/408613317
https://www.youtube.com/watch?v=h7xAM_eXuuk

Adam Biles and Lex Paulson reunite after an eighteen-month hiatus for a live commentary on the 1967 Joseph Strick film adaptation of Ulysses. They discuss Joyce's real-life role launching Dublin's first cinema, the film's scandalous festival history (Cannes brawl, Irish ban, New Zealand sex-segregated screenings), and Milo O'Shea's towering performance as Leopold Bloom. Along the way: Circe's Monty Python energy, the "Me Too" moment, and why Joyce (thanks to Nora) remains decades ahead of us all.
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Tracy K. Smith comes to Shakespeare and Company for a conversation with Adam Biles. They discuss her book Fear Less: Poetry in Perilous Times, a bold manifesto on poetry as a tool for deeper living, clearer thinking, and more compassionate citizenship. Drawing on her time as US Poet Laureate, Smith reflects on taking poetry to rural America, and how poems, unlike political debate, can open rather than entrench. She talks about the origins of Fear Less, and why she chose to write a love letter to the art form rather than a polemic. Smith also reads from her forthcoming collection The Forest, sharing new poems on war, complicity, the divine feminine, and an expansive, unsettling "us" that includes those we revile.

Buy Fear Less: https://www.shakespeareandcompany.com/books/fear-less-4

Tracy K. Smith was born in Massachusetts and raised in northern California. She earned a BA from Harvard University and an MFA in creative writing from Columbia University. From 1997 to 1999 she held a Stegner fellowship at Stanford University. Smith is the author of four books of poetry: The Body's Question (2003), which won the Cave Canem prize for the best first book by an African-American poet; Duende (2007), winner of the James Laughlin Award and the Essense Literary Award; Life on Mars (2011), winner of the Pulitzer Prize for Poetry; and Wade in the Water (2018). In 2014 she was awarded the Academy of American Poets fellowship. She has also written a memoir, Ordinary Light (2015), which was a finalist for the National Book Award in nonfiction. Her latest book is Fear Less: Poetry in Perilous Times (2025).

In June 2017, Smith was named U.S. poet laureate. She teaches at Harvard University, where she is a professor of English and of African and African American Studies and the Susan S. and Kenneth L. Wallach Professor at the Harvard Radcliffe Institute.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Hosted on Acast. See acast.com/privacy for more information.