New Books in Anthropology

Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press,
2025). What role does desire play in the making of art objects? Art
historians typically answer this question by referring to historical
evidence about an artist's sexual identity or to particular kinds of
imagery. But what about anonymous artists? Or works whose subject matter
is mainstream? We know little about the identities and personalities of
most premodern artists, but this should not hold us back from thinking
about their embodied experience. In this book, Karl Whittington contends
that we can "queer" the works of anonymous makers by thinking about
their embodied experiences creating art. Considering issues of touch,
pressure, and gesture across substances such as wood, stone, ivory, wax,
cloth, paint, and metal, Whittington argues for an erotics of artisanal
labor, in which the actions of hand, body, and breath interact in
intimate ways with materials. Whittington takes seriously the agency of
materials and technical processes, arguing that they necessarily placed
the bodies of artists and artisans into physical situations and
psychological states that can be read through the lens of desire.
Combining historical evidence with speculative description, this
evocative set of essays broadens our understanding of the motivations
and experiences of premodern artists. It will appeal to scholars and
students of art history, medieval studies, gender studies, queer
studies, and anthropology.
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In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman (Anthem Press, 2026),
with anthropologist Dr Marielle Risse. Drawing on nearly two decades of
ethnographic fieldwork, Dr Risse offers a nuanced examination of
marriage practices among Sunni Muslim communities in southern Oman,
challenging many of the assumptions that often underpin Western
discussions of gender, family, and personal autonomy.

Rather than portraying marriage as either oppressive or emancipatory,
Dr Risse presents it as a complex social institution shaped by kinship
networks, religious values, and community expectations. Risse’s work
encourages readers to reconsider familiar ideas about family, marriage,
household, intimacy, autonomy, and social life.

Amisah Bakuri (PhD) is
an Assistant Professor in the Faculty of Social Sciences and Humanities
at Vrije Universiteit Amsterdam. Her work explores the intersections of
religion, sexuality, gender, and migration, especially within African
diasporic communities in the Netherlands.

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One of the things that stood out in my conversation with John Longhurst about his book Can Robots Love God and Be Saved? A Journalist Reports on Faith (CMU Press, 2024) was his seriousness about journalism itself. Longhurst understands the journalist's vocation not as providing
definitive answers but as asking good questions, paying close
attention, and engaging thoughtfully with the people and events that
shape our world.

Our discussion focused on a theme that runs throughout the book: if
religion's enduring strength lies not in providing final answers but in
sustaining meaningful questions, then what sustains belief amid
suffering, doubt, and uncertainty? Longhurst's work suggests that faith
often emerges not from certainty but from ongoing engagement with life's
deepest mysteries.

Rather than offering simple conclusions, Can Robots Love God and Be Saved? invites
readers into conversations about faith, technology, culture, politics,
and everyday life. It reminds us that religious questions remain central
to how many people understand themselves and the world around them. In
an age increasingly shaped by AI and our histories, these questions may
become even more important, not less so.

My
thanks to John Longhurst for joining me on the New Books Network and
for sharing insights drawn from a lifetime of careful observation,
thoughtful reporting, and persistent questioning. 

Amisah Bakuri (PhD)
is an Assistant Professor in the Faculty of Social Sciences and
Humanities at Vrije Universiteit Amsterdam. Her research examines the
intersections of religion, sexuality, gender, and migration,
particularly within African diasporic communities in the Netherlands.
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An exploration of the concept of cultivation, as conducted on both
the land and the body, which expands our understanding of it as
practice, aesthetic, and ideology.

In Cultivated: Plants, Hair, and the Aesthetic of Control (Yale University Press, 2026),
Jeffrey Hoelle traces the imprint of cultivation across the naturally
growing covers of the land and body—plants and hair. The book builds
from research in the agricultural fields and cattle pastures at the edge
of the Amazon rainforest to domestic landscapes and hair salons and
shops in the frontier cities of Brazil and beyond. In spaces where the
tangled forest once stood, clean pastures and ordered rows of crops now
sit on properties with geometric edges. From rural spaces to immaculate
lawns and cemeteries in the city, the imprint leads to the body, where
hair, like plant growth, is cut, trimmed, and otherwise managed.
Seemingly separate domains of agriculture, landscaping, and personal
grooming are governed by a similar aesthetic of control.

This unique pairing of land and body expands our understanding of
cultivation as a practice and as an ideology that operates in frontier
Amazonia—but also closer to home, influencing how we conceptualize and
interpret the covers that grow on and around us, and our imagined
relations with nature in the future. Hoelle argues that we must
understand this system of thought and the overlooked role it plays in
environmental destruction and social inequality.

Jeffrey Hoelle is Professor of Anthropology at the University of
California, Santa Barbara. His research explores the social, cultural,
and political-economic dimensions of environmental transformation and
deforestation in frontier Amazonia. He is the author of Rainforest Cowboys: The Rise of Ranching and Cattle Culture in Western Amazonia (UT Press, 2015)

Yadong Li is an anthropologist-in-training. He is a PhD candidate of
Socio-cultural Anthropology at Tulane University. More details about his
scholarship and research interests can be found here.
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In Wild Tides: Media Infrastructure and Financial Crisis in Ireland (Duke University Press, 2026),
Patrick Brodie maps the shifting fortunes of the Irish economy before
the 2008 financial crisis up to 2020, outlining how the Irish state
moved from rampant and irresponsible financialized development to
incentivizing private media infrastructure and policy as instruments for
economic recovery. Brodie contends that while the Irish state’s
investment in creative and technological sectors of media was supposed
to bring resources back into the country and stabilize the economy, it
instead rendered the country even more vulnerable to future instability
and transferred wealth into the hands of multinational corporations.
Through ethnographic work and close engagement with the Irish state’s
policy and planning across a number of key media infrastructure sites,
Brodie unfolds the very real environmental and social impacts of
Ireland’s naturalized model of financialized, foreign direct
investment-led infrastructural development. Richly researched and
comprehensively argued, Wild Tides reveals the multifarious, unexpected ways that financialization reaches into the daily life of a nation.
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