New Books in Anthropology

This episode features a conversation with Carnatic vocalist, T.M. Krishna, who is also the author of two books on this musical tradition. We began with his first book’s account of the modernization of Carnatic music through a set of social, technical, and spatial processes that transformed it from a more socially diverse practice into a predominantly Brahmin performative genre. We moved on to discuss a figure who is at the heart of his second book: the maker of the Carnatic percussion instrument, the mrdangam. This took us into an extended discussion of the changing relationship between mrdangam makers, who are predominantly Dalit, and mrdangam players, who are predominantly Brahmin, and what the complex mix of inequality, stigma, artistry, and pride suggests about the specificity of this inter-caste relationship. The episode ended with Krishna fleshing out his distinction between classical music and art music and the reasons why he rejects the former in favor of the latter.

Read the transcript

Guest

T.M. Krishna is a vocalist in the Carnatic tradition and the author of two books and numerous articles.

References

T.M. Krishna, A Southern Music: The Karnatik Story (Harper Collins, 2016).

T.M. Krishna, Sebastian and Sons: A Brief History of Mrdangam Makers (Westland, 2023).

Devadasi: refers to a historical practice of “marrying” girls to a temple deity. In the pre-colonial period, Devadasis held a respected place in society as literate, land owning women who were highly trained in music and dance. During colonialism, their sexual relations with male patrons came to be seen as a threat to householder society and they became targets of moral reform. The Devadasi system was abolished in 1947.

Sadir: a dance form historically performed by the Devadasi community that was the precursor to modern Bharatanatyam.

Bharatanatyam: a modern dance form now widely performed by upper castes.

Khayal: vocal genre of North Indian music.

ICS: Indian Civil Service, the higher tier of colonial administration in British India that became the basis of the post-independence Indian Administrative Service.

The Music Academy: the main performance space for Carnatic music in Madras (now Chennai), India.

Kutcheri: term for the venue where Carnatic music is performed.

Thanjavur: city in the Indian state of Tamil Nadu known for its art and architecture.
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Our ecological system is disturbed, and with it, every other system we’ve built to inhabit it. We do not face inevitable destruction, yet many of us cannot conceive of climate change as anything but the end of the world, an apocalypse with all its biblical trappings. Why?

In A Perturbed System: Religion and Climate Change from the End of a World, anthropologist Susannah Crockford argues that we must understand the climate emergency as a spiritual crisis, a result of Christian colonialism that we (religious or not) still struggle to describe without religious language. Climate discourse in the United States and northern Europe, Crockford shows, is framed by the same theological motifs that drove extraction, including ideas about prophecy, mediation, sacrifice, original sin, cult, messiah, and apocalypse. By listening to people on the edge of the crisis, A Perturbed System reveals a world in transition, what happens when worlds end—ecologically, socially, politically, and personally—and how we might live through these endings together. 

Susannah Crockford is a lecturer at the University of Exeter. She is the author of Ripples of the Universe: Spirituality in Sedona, Arizona, also published by the University of Chicago Press.

Buy the book: here
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In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith.

Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio.
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Tunisia’s Andalusians: The Cultural Identity of a North African Minority (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia’s diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances.
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Communities of Sound: Religion, Displacement, and Caste in the Bay of Bengal (Wesleyan University Press, 2026) brings
together insights from religion, anthropology, sound, and migration
studies to explore the sonic traces of untouchability and forced
migration across the Bay of Bengal. Based on an immersive, multi-sited
ethnography with Matua devotees—a low-caste, Bengali-speaking Dalit
religious community fragmented by Partition, war, and postcolonial
displacement—the book explores how sound sustains identity across
fractured geographies. Using richly detailed descriptions, the book
follows traveling archives of song, story, and ritual performance
through West Bengal, Bangladesh, and the Andaman Islands. These sonic
practices—congregational singing, drumming, and itinerant
storytelling—forge belonging beyond nation-states, connecting the
Matua's fifty million members across borders and seas. In a world
dominated by visual culture, Communities of Sound centers
listening as a mode of knowledge and care, revealing how sound shapes
our sense of self and cosmos. More than scriptures or doctrine, it is
sound—entangled with authority and power—that binds this transregional
Dalit movement and animates its collective action. The book is
generously illustrated and references an online companion with video and
audio examples.

Author bio: Carola E. Lorea is
Professor of Social and Cultural Anthropology University of Tübingen,
at the University of Tübingen, Germany, where she leads the ERC-funded
project MANTRAMS: Mantras in Religion, Media, and Society in Global
Southern Asia. She is the author of Folklore, Religion and the Songs of a Bengali Madman (2016), and editor with Rosalind Hackett of Religious Sounds Beyond the Global North: Senses, Media and Power (2024).
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