New Books in Anthropology

Alena Ledeneva is Professor of Politics and Society at the
University College London and a founder of the Global Informality
Project. Her research focuses on informal practices, and she has written
several Russia-focused books, including Russia’s Economy of Favours, How Russia Really Works and Can Russia Modernise. The Global Informality has also published 3 volumes of its Global Encyclopaedia of Informality. Alena is here today to talk about her new book Russian Pendulum: Paradoxes, Practices and Patterns (UCL Press, 2026), which has been shortlisted for the 2026 Pushkin House Book Prize.

Adam Quinn is a Glasgow-based researcher whose work focuses on
activism, social movements and state-society relations in the
Post-Soviet space. 

Alena’s new book: art, music, text in a new UCL Press book in open access:

Russian Pendulum: here

The accompanying music: Delphian Records classical album The System Made Me Do It composed by Benjamin Woodgates: here

And a brilliant review of the music: here

Plus, a nice mention in the BBC sounds for dark: here

Enjoy the podcast!
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In her recent publication, Hidden Heretics: Jewish Doubt in the Digital Age, scholar Ayala Fader tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader investigates religious doubt and social change in the digital age. In following those living double lives, who range from the religiously observant but open-minded on one end to atheists on the other, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe.

Join YIVO for a discussion of this recent publication featuring Fader in conversation with Josh Lambert, professor and director of the Jewish Studies Program at Wellesley College.

Buy the book: here

This book talk originally took place on September 22, 2022.
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In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman (Anthem Press, 2026),
with anthropologist Dr Marielle Risse. Drawing on nearly two decades of
ethnographic fieldwork, Dr Risse offers a nuanced examination of
marriage practices among Sunni Muslim communities in southern Oman,
challenging many of the assumptions that often underpin Western
discussions of gender, family, and personal autonomy.

Rather than portraying marriage as either oppressive or emancipatory,
Dr Risse presents it as a complex social institution shaped by kinship
networks, religious values, and community expectations. Risse’s work
encourages readers to reconsider familiar ideas about family, marriage,
household, intimacy, autonomy, and social life.

Amisah Bakuri (PhD) is
an Assistant Professor in the Faculty of Social Sciences and Humanities
at Vrije Universiteit Amsterdam. Her work explores the intersections of
religion, sexuality, gender, and migration, especially within African
diasporic communities in the Netherlands.

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Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press,
2025). What role does desire play in the making of art objects? Art
historians typically answer this question by referring to historical
evidence about an artist's sexual identity or to particular kinds of
imagery. But what about anonymous artists? Or works whose subject matter
is mainstream? We know little about the identities and personalities of
most premodern artists, but this should not hold us back from thinking
about their embodied experience. In this book, Karl Whittington contends
that we can "queer" the works of anonymous makers by thinking about
their embodied experiences creating art. Considering issues of touch,
pressure, and gesture across substances such as wood, stone, ivory, wax,
cloth, paint, and metal, Whittington argues for an erotics of artisanal
labor, in which the actions of hand, body, and breath interact in
intimate ways with materials. Whittington takes seriously the agency of
materials and technical processes, arguing that they necessarily placed
the bodies of artists and artisans into physical situations and
psychological states that can be read through the lens of desire.
Combining historical evidence with speculative description, this
evocative set of essays broadens our understanding of the motivations
and experiences of premodern artists. It will appeal to scholars and
students of art history, medieval studies, gender studies, queer
studies, and anthropology.
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One of the things that stood out in my conversation with John Longhurst about his book Can Robots Love God and Be Saved? A Journalist Reports on Faith (CMU Press, 2024) was his seriousness about journalism itself. Longhurst understands the journalist's vocation not as providing
definitive answers but as asking good questions, paying close
attention, and engaging thoughtfully with the people and events that
shape our world.

Our discussion focused on a theme that runs throughout the book: if
religion's enduring strength lies not in providing final answers but in
sustaining meaningful questions, then what sustains belief amid
suffering, doubt, and uncertainty? Longhurst's work suggests that faith
often emerges not from certainty but from ongoing engagement with life's
deepest mysteries.

Rather than offering simple conclusions, Can Robots Love God and Be Saved? invites
readers into conversations about faith, technology, culture, politics,
and everyday life. It reminds us that religious questions remain central
to how many people understand themselves and the world around them. In
an age increasingly shaped by AI and our histories, these questions may
become even more important, not less so.

My
thanks to John Longhurst for joining me on the New Books Network and
for sharing insights drawn from a lifetime of careful observation,
thoughtful reporting, and persistent questioning. 

Amisah Bakuri (PhD)
is an Assistant Professor in the Faculty of Social Sciences and
Humanities at Vrije Universiteit Amsterdam. Her research examines the
intersections of religion, sexuality, gender, and migration,
particularly within African diasporic communities in the Netherlands.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology