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Interviews with Scholars of Critical Theory about their New Books
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Andy Hines, "Imagining After Capitalism" (Triarchy Press, 2025)
Imagining After Capitalism (Triarchy Press, 2025) is the culmination of a decade-long exploration of what comes next after capitalism. It leverages previous work in developing foresight methodologies, which are featured in two previous books: Teaching about the Future and Thinking about the Future (2nd edition), both with Peter Bishop. It also leverages my work in identifying long-term values shifts—which are pivotal to After Capitalism—that are highlighted in ConsumerShift: How Changing Values Are Reshaping the Consumer Landscape.
Arguing that the absence of compelling positive alternatives keeps us stuck in a combination of fear, denial, and false hope, he offers three “guiding images” for the long-term future: an environmentally driven Circular Commons, a socially and politically driven Non-Workers’ Paradise, and a technology-driven Tech-Led Abundance.
Imagining After Capitalism argues “first things first.” Let us first decide where we want to go before building detailed plans for getting there. The three “guiding images” are not the answers, but are intended to provoke discussion about the possibilities.
The book offers an alternative to the prevailing doom and gloom and suggests there are indeed positive alternatives out there and it’s time to get started on crafting a different path to the future!
Andy Hines brings more than three decades of experience as a futurist to the Imagining After Capitalism work. He has explored the future from multiple vantage points. He is currently an Associate Professor and Program Coordinator at the University of Houston Foresight program. He also spent a decade as an organizational futurist, first with Kellogg’s and then Dow Chemical. His consulting futurists roles included Coates & Jarratt, Inc., Social Technologies/Innovaro and currently his own firm Hinesight.
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Larry Alan Busk, "The Right-Wing Mirror of Critical Theory: Studies of Schmitt, Oakeshott, Hayek, Strauss, and Rand" (Rowman & Littlefield, 2023)
What really separates emancipatory thinking from its opposite? The prevailing Left defines itself against neoliberalism, conservative traditionalism, and fascism as a matter of course. The philosophical differences, however, may be more apparent than real.
The Right-Wing Mirror of Critical Theory: Studies of Schmitt, Oakeshott, Hayek, Strauss, and Rand (Rowman & Littlefield, 2023) argues that dominant trends in critical and radical theory inadvertently reproduce the cardinal tenets of the twentieth century’s most influential right-wing philosophers. It finds the rejection of foundationalism, rationalism, economic planning, and vanguardism mirrored in the work of Schmitt, Oakeshott, Hayek, and Strauss. If it is to be more than merely an inverted image of the Right, critical theory must reevaluate its relationship to what Julius Nyerere once called “deliberate design” in politics. In the era of anthropogenic climate change, a substantial—not merely nominal—departure from right-wing talking points is all the more necessary and momentous.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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1:10:04
Eric Drott, "Streaming Music, Streaming Capital" (Duke UP, 2024)
Streaming Music, Streaming Capital (Duke University Press, 2024) provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses .
Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin.
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J. Mijin Cha, "A Just Transition for All: Workers and Communities for a Carbon-Free Future" (MIT Press, 2024)
To meet the greenhouse gas emissions reductions needed to stave off the worst impacts of climate change, a transition away from fossil fuels must occur, as quickly as possible. But there are many unknowns when it comes to moving from theory to implementation for such a large-scale energy transition, to say nothing of whether this transition will be “just.”
In A Just Transition for All: Workers and Communities for a Carbon-Free Future (MIT Press, 2024), J. Mijin Cha—a seasoned climate policy researcher who also works with advocacy organizations and unions—offers a comprehensive analysis of how we can actualize a just transition in the U.S. context and enact transformational changes that meaningfully improve people’s lives. Cha provides a novel governance framework called the “Four+ Pillars,” formulated from original research to provide a way to move from theory to practice. The “Pillars” framework includes a novel analysis that guides readers in understanding how to formulate effective just transition policies, what makes them just or unjust, and, similarly, what makes transition just and unjust. The framework also combines theoretical discussions with original empirical research and provides insights into perceptions of just transition. Grounded in real-world perspectives that make the case for policies that advance a just transition for all, not just fossil fuel workers, Cha charts the path forward to an equitable and sustainable future that no longer depends on fossil fuels.
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Toby Bennett, "Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out" (Bloomsbury, 2024)
How does the music industry actually work? In Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out Toby Bennett, a Senior Lecturer in Media, Culture & Organisation in the School of Media and Communications at the University of Westminster offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offering a detailed theoretical framework for understanding these changes, as well as rich details on the ordinary organisational practices that keep the music industry running, the book will be essential reading across humanities, social sciences, and for anyone interested in music and culture industries.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
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Interviews with Scholars of Critical Theory about their New Books
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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