Fresh Air

Considered the father of Afrobeat, Nigerian musician Fela Kuti used his music in the 1970s to combat colonial values and brutal dictatorship. Former Radiolab host Jad Abumrad tells his story in the podcast series, ‘Fela Kuti: Fear No Man.’ He spoke with Terry Gross. Also, Fresh Air’s longtime executive producer Danny Miller is retiring. We close out the show with an appreciation and send-off from the staff. 

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British journalist Vicky Ward first profiled sex offender Jeffrey Epstein in 2003 for Vanity Fair. The experience was so alarming and stressful that she went into labor with her twins at 30 weeks, two months early. More than 20 years later, Ward, still following the case, talks with Tonya Mosley about the fallout from the millions of publicly released documents, and why this story took so long to come out.

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Almost a decade after her father's death, legal scholar Dorothy Roberts had to confront the 25 boxes of his research collecting dust in her office. Roberts' parents, a white anthropologist and a Black woman from Jamaica, spent years doing research on interracial marriage and intimacy in Chicago. Her new memoir, ‘The Mixed Marriage Project,’ draws from their records. She says the project permeated every corner of her upbringing, and now, as a scholar herself, she’s reflecting on her life and racial identity with a new lens.

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We look back at the 1992 siege at Ruby Ridge in Idaho, where gunfire left two civilians and a deputy U.S. Marshal dead. Chris Jennings’ new book explores the apocalyptic religious beliefs that led Randy Weaver and his family to move to a remote cabin, armed to resist government intrusion. He traces the impact of Ruby Ridge on the spread of conspiratorial anti-government and white-supremacist movements. His book is ‘End of Days.’Also, Maureen Corrigan reviews the memoir 'Dizzy,’ by Rachel Weaver.  

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Julia Loktev’s latest documentary, ‘My Undesirable Friends - Part 1: Last Air in Moscow,’ follows independent Russian journalists in the months leading up to, and just after, Russia’s full-scale invasion of Ukraine. The film has arrived in the U.S. at a moment when questions about press freedom feel newly present. “Every day it feels like there is something to bring the story home for Americans, where it almost feels like there’s Easter eggs in the film that become more and more relevant.” she says. Also, Pulitzer Prize-winning historian Heather Ann Thompson revisits a 1984 New York City subway shooting, when Bernhard Goetz, a white man, shot four Black teenagers. In the days that followed, Goetz became  a hometown hero. “We are watching someone tell us exactly who they are, exactly what they did, and it will not matter. Up will become down, down will become up. And that also felt very, very familiar to where we are today.” Her book is ‘Fear and Fury.’ 

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