Talk Easy with Sam Fragoso

We’re closing out 2025 with the person who made us laugh the most this year: comedian Robby Hoffman.[You can watch this conversation on YouTube.]At the top, we unpack the joys of her new Netflix special Wake Up (4:00), her views on Sunday football (9:00), and the state of masculinity (15:00). Then, Robby walks us through her Orthodox upbringing (19:00), leaving America for Canada (21:00), and how she started to find herself in high school (32:00).On the back-half, we talk her first night doing stand-up (39:00), some candid thoughts on her community (47:00), how she landed her break writing for The Chris Gethard Show (51:40), the conditions she fought to improve during the WGA strikes (53:00), a tribute to the late Rob Reiner (1:07:30), and the systemic change she wants to see in 2026 (1:10:00).Thoughts or future guest ideas? Email us at [email protected] Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For over thirty years, Kate Winslet has been one of the most beloved performers on screen.We discuss her directorial debut in Goodbye June (5:00), the loss that inspired this personal screenplay (10:00), and how her experiences in Hollywood shaped her approach to directing (20:00). Then, Winslet reflects on her vivid upbringing in Reading, England (23:00), landing her breakout role in Peter Jackson’s Heavenly Creatures (30:00), and the encouragement of her artistic father (33:00).On the back-half, we walk through how she crafted her performance in Sense and Sensibility (35:00), her Titanic audition (38:00), the scrutiny she endured in the film’s aftermath (40:00), and the body of work she ultimately made as a refutation of the industry that tried to define her: namely, Eternal Sunshine of the Spotless Mind (48:00) and Mare of Easttown (52:00).Watch this conversation on YouTube. Thoughts or future guest ideas? Email us at [email protected] Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the first 100 years of The New Yorker, only five have edited the magazine. Since 1998, it’s been David Remnick at the helm, shepherding the publication into the 21st century. We discuss Zohran Mamdani’s mayoral win in New York City (3:24), the new documentary, The New Yorker at 100, chronicling the magazine’s evolution (11:00), how comedian Jon Stewart understands the rising influence of the podcast Manosphere (26:20), and the future of media (47:00).Then, we turn to our first talk with Remnick from 2023, reflecting on the art that influenced him growing up in New Jersey (54:00) to his pathway to journalism at Princeton University (1:03:30) and his start at The Washington Post under the tutelage of legendary editor Ben Bradlee (1:09:00). We close with lessons from his early days running The New Yorker (1:14:30), why he cautions against despair (1:26:20), and a tribute to the creative longevity of musician Joni Mitchell (1:34:00).Subscribe to our new YouTube channel. Thoughts or future guest ideas? Email us at [email protected] 50% off Monarch, the all-in-one financial tool at monarch.com with code TALKEASY.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What happens when a house is not a home? It's the question pulsating at the heart of the new film, Sentimental Value, and one that actor Renate Reinsve reckons with in the lead role of Nora.We discuss her process connecting the ‘puzzle’ of each character (7:00), how she balances dark and light themes in this new film (8:20), and her creative childhood in Norway (12:00). Then, Renate describes how David Lynch’s Mulholland Drive impacted her as a young performer (20:20), her liberating teen years in Edinburgh (22:00), and how her longtime collaboration with writer-director Joachim Trier came to be—beginning with her supporting role in Oslo, August 31st (25:00).On the back-half, she reflects on her early years in the theatre (36:20), how she recalibrated herself from stage to screen (39:15), and her spiritual tribute to the late Diane Keaton in The Worst Person in the World (42:53). To close, we talk about the final day on the set of Sentimental Value (49:40), her desires for the years ahead (55:00), and what it meant to bring her family to the film’s premiere at Cannes (58:39).Subscribe to our new YouTube channel. Thoughts or future guest ideas? Email us at [email protected] Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Following the success of The Worst Person in the World, writer-director Joachim Trier returns this fall with a candid family story in Sentimental Value.We begin with the guiding words from writer Philip Roth (7:20), how Trier arrived at this intimate new film (8:40), and why he was drawn to father-daughter dynamics (his own, and others) in making this new project (10:00). Then, we talk about Joachim’s early observations growing up in Norway (25:00), why he prefers to be present with performers on set, rather than watching from a far-off monitor (32:00), and how he parlayed skating into his early work as a filmmaker (35:00).On the back-half, Trier reflects on meeting longtime collaborator, screenwriter and director Eskil Vogt (37:00), the essayistic qualities of his sophomore film, Oslo, August 31st (40:00), and how that style fully solidified in Louder Than Bombs and The Worst Person in the World (42:00). To close, we revisit a recurring monologue in Sentimental Value (48:00), his last day on set with actor Renate Reinsve (50:00), and how director Martin Scorsese has inspired Trier to continue ‘stirring the sauce’ (56:00).Subscribe to our new YouTube channel. Thoughts or future guest ideas? Email us at [email protected] Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.