Locarno Meets

• “I Like It When a Director Has a Vision”: Willem Dafoe Talks Acting Process, David Lynch, and ‘The Birthday Party’

  Over the course of a more than 45-year career, Willem Dafoe has played everything, from the Green Goblin in “Spider-Man” to Jesus Christ in Martin Scorsese’s “The Last Temptation of Christ”. But crucially, he has never rested on his laurels, and continues to collaborate on ever more bold and daring projects with a new generation of emerging filmmakers.In Locarno to present Miguel Ángel Jiménez’s caustic “The Birthday Party” on the Piazza Grande, we sat down with Dafoe on Locarno Meets to talk about how you should find your own role when on set, working with David Lynch on “Wild at Heart”, juggling the demands of Hollywood and the arthouse, and getting fired from the set of “Heaven’s Gate” for laughing at a dirty joke.

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• From Sundance to the Piazza Grande: Bill Condon Talks J-Lo Indie Musical “Kiss of the Spider Woman”

  Our guest this week on Locarno Meets is Bill Condon, the man behind some of the biggest movie musicals of the modern age, from “Chicago” to “Dreamgirls” to “Beauty and the Beast”. He joined us to talk timeliness, down and dirty prison dramas, working with Jennifer Lopez’s tight schedule, and how it all combined in his latest film “Kiss of the Spider Woman”, which was the closing film of Locarno78.

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• Pink Paint & the Pleasures of Horror Cinema: Julie Pacino Talks “I Live Here Now”

  An eye-popping, heart-pounding genre film that premiered at Locarno78, “I Live Here Now” is a very funny, very scary, and very weird debut movie from Julie Pacino. This week on LocarnoMeets, the director joins us to talk about pink paint, David Lynch, and being traumatized on the set of “The Devil’s Advocate”.

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• Golshifteh Farahani: Exile from Iran, Necessity of Art & Full Body Action Cinema

  This week on Locarno Meets we're joined by the Iranian actress Golshifteh Farahani, who – in a remarkable and emotional in-depth discussion – talks about leaving Iran, the retribution she faced for debuting in Hollywood with “Body of Lies”, the Women, Life, Freedom (Zan, Zendegī, Āzādī) movement, making the extraordinary and disturbing “Alpha” with Julia Ducournau, and finally the joy – and physical toll – of making high-octane action movies.

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• “Sentimental Value” Screenwriter Eskil Vogt on Joachim Trier and Writing Nuance

  Joining us this week on Locarno Meets is Eskil Vogt, the Norwegian screenwriter and filmmaker best known for his collaborations with Joachim Trier that include the celebrated “Oslo, August 31st”, “The Worst Person in the World”, and this year’s “Sentimental Value”. We chatted with Vogt about that ongoing creative partnership, the difficulties and revelations of working in middle age, and working with children on his own film “The Innocents”, which premiered in Cannes in 2021.

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