IndieWire's Filmmaker Toolkit

For her masterful work on "Sinners," Autumn became only the fourth woman in history to be nominated for a Best Cinematography Oscar. She opened up with IndieWire VP Chris O'Falt about the prospect of becoming the first woman to win that award, and how being a woman in the field affected her early career and her current balance between work and family. And of course we dig into all the nerdy craft details, including a more candid conversation about the decision to use IMAX than you may have heard elsewhere.

Revisit our episode with "Elvis" Cinematographer Mandy Walker, the third woman nominee in the category - open.spotify.com/episode/5iPCSArQfCBhCce1HbdsWE?si=CleehbCZTPmF7POubrB9ow

Subscribe to Top Of The Line - IndieWire's new newsletter about the craft of film and TV - https://cloud.email.indiewire.com/signup/

0:00 - Intro

1:53 - Autumn's career and personal live leading to "Sinners."

15:00 - Why the look of "Sinners" is so personal to Autumn.

18:50 - Capturing the authentic harsh sun & muggy nights of Mississippi Delta

23:54 - The challenges and technical details of shooting on IMAX film cameras.

35:13 - Executing the surreal 'I Lied to You' sequence.

40:12 - The challenges of blending VFX and ultra high-res IMAX footage.

48:44 - The awards campaign and how it feels to potentially be the first woman to win the Best Cinematography Oscar.

Learn more about your ad choices. Visit megaphone.fm/adchoices

The world of 'Game of Thrones' has never felt quite like this before. Showrunner Ira Parker spoke with us about making a half hour comedy that eschews the dragons and royal politics for a smaller character piece with a kinder tone. Ira explained how he evolved the typical 'Game of Thrones' style in order to connect the filmmaking to his lead characters soul, and revealed some of the alternate paths this season could have taken in the adaptation.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Baz Luhrmann sits down with IndieWire’s Jim Hemphill to discuss EPIC: Elvis Presley In Concert. While making his 2022 biopic, Luhrmann uncovered boxes of unseen Elvis footage that inspired a new kind of documentary he describes as a cinematic “dreamscape.”

Learn more about your ad choices. Visit megaphone.fm/adchoices

A rare treat today on the Filmmaker Toolkit: a deep dive into feature animation directing! Directors Byron and Jared explain how the film was essentially in pre-production, production, and post-production simultaneously across it's 5 year development. They also dug into the ways casting and character creation intertwine, and the challenge of packing every frame to the brim with detail.

Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. - https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298

Subscribe to Top Of The Line - IndieWire's new newsletter about the craft of film and TV - https://cloud.email.indiewire.com/signup/
Learn more about your ad choices. Visit megaphone.fm/adchoices

Visual effects supervisor Baneham and Wētā FX senior effects supervisor Eric Saindon talk to IndieWire's Filmmaker Toolkit podcast about working on James Cameron's 197-minute epic — that has only seven seconds with no visual effects. Hear which sequences were most challenging to pull off, and just how much of the Avatar world is built for real alongside VFX.

Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. - https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298

Subscribe to Top Of The Line - IndieWire's new newsletter about the craft of film and TV - https://cloud.email.indiewire.com/signup/
Learn more about your ad choices. Visit megaphone.fm/adchoices