IndieWire's Filmmaker Toolkit

Directors Brian McElhaney and Nick Kocher, also known as the comedy duo BriTANicK, join IndieWire’s Jim Hemphill to talk about their new Hulu “Pizza Movie, which elevates lowbrow comedy to high art with its meticulous sense of visual design and structure. McElhaney and Kocher talk about influences, casting, and more in this wide-ranging interview.

Read our full review of "Pizza Movie" - https://www.indiewire.com/criticism/movies/pizza-movie-review-britanick-hulu-comedy-1235186676/

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Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. - https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298
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Directors Matt Bettinelli-Olpin and Tyler Gillett, better known as Radio Silence, join IndieWire’s Jim Hemphill to talk about their new film “Ready or Not 2: Here I Come.” A sequel to the 2019 thriller “Ready or Not,” “Ready or Not 2” takes the story in surprising new directions while delivering the pleasures of the original. Radio Silence talks about striking that balance, approaching difficult exposition, and more in this interview.

Subscribe to Top Of The Line - IndieWire's new newsletter about the craft of film and TV - https://cloud.email.indiewire.com/signup/

Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. - https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298
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Maggie Gyllenhaal is back on the Filmmaker Toolkit and bigger than ever for her second feature, a reimagining of The Bride of Frankenstein with a blend of genres, 1930s-style musical numbers, and a focused feminine rage. Maggie talked about the world building of her epic, from the harnessing of IMAX cameras to a graphic novel approach to designing the characters.

Subscribe to Top Of The Line - IndieWire's new newsletter about the craft of film and TV - https://cloud.email.indiewire.com/signup/

Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. - https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298
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The hit HBO drama "Industry" just dropped its season 4 finale last night, and we have creators Mickey Down and Konrad Kay on the Filmmaker's Toolkit to break it all down. They discuss turning the series into a conspiracy thriller this season, incredible moments like Erics walk off and Yasmin's punishing arc, as well as the meaning of the final shot and mysterious flash frame.

Can't get enough "Industry?" Revisit our season 3 interview with Mickey and Konrad - https://podcasts.apple.com/us/podcast/industry-creators-konrad-kay-and-mickey-down/id1142632832?i=1000671314786

Subscribe to Top Of The Line - IndieWire's new newsletter about the craft of film and TV - https://cloud.email.indiewire.com/signup/
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For her masterful work on "Sinners," Autumn became only the fourth woman in history to be nominated for a Best Cinematography Oscar. She opened up with IndieWire VP Chris O'Falt about the prospect of becoming the first woman to win that award, and how being a woman in the field affected her early career and her current balance between work and family. And of course we dig into all the nerdy craft details, including a more candid conversation about the decision to use IMAX than you may have heard elsewhere.

Revisit our episode with "Elvis" Cinematographer Mandy Walker, the third woman nominee in the category - open.spotify.com/episode/5iPCSArQfCBhCce1HbdsWE?si=CleehbCZTPmF7POubrB9ow

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0:00 - Intro

1:53 - Autumn's career and personal live leading to "Sinners."

15:00 - Why the look of "Sinners" is so personal to Autumn.

18:50 - Capturing the authentic harsh sun & muggy nights of Mississippi Delta

23:54 - The challenges and technical details of shooting on IMAX film cameras.

35:13 - Executing the surreal 'I Lied to You' sequence.

40:12 - The challenges of blending VFX and ultra high-res IMAX footage.

48:44 - The awards campaign and how it feels to potentially be the first woman to win the Best Cinematography Oscar.

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