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British Art Talks

Paul Mellon Centre for Studies in British Art
British Art Talks
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  • S3 Ep4: Experiments in Art Writing: Roger Robinson
    This series, Experiments in Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. Episode image: Bartholomew Dandridge, A Young Girl with an Enslaved Servant and a Dog, c. 1725, oil on canvas, 121.9 x 121.9 cm. Yale Center for British Art, Paul Mellon Collection (B1981.25.205). (Public domain)
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  • S3 Ep3: Experiments in Art Writing: Maria Fusco
    This series, Experiments in Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing.
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    40:07
  • S3 Ep2: Experiments in Art Writing: Adrian Rifkin
    This series, Experiments in Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. This programme contains a description of suicide taken from the novel La Fin De Cherí, by Sidonie Gabriel Collette. If you’d prefer to skip over that, it’s between 14:43 - 16:08. If you need support, you can the Samaritans - any time of day or night - on 116 123. Or visit www.samaritans.org. Episode image: Mattia Preti, Belshazzar’s Feast, 1653-1659, oil on canvas, 202 x 297 cm. Collection National Museum Capodimonte (Q 254). Digital image courtesy of Web Gallery of Art (Public Domain)
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    46:32
  • S3 Ep1: Experiments in Art Writing: Catherine Grant
    This series, Experiments In Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. Episode image: Anna Bunting Branch, W.I.T.C.H. ("Wild Imaginations Transform Chauvinist Hegemony"), oil and acrylic paint on folded aluminium sheet, 2016. Courtesy of Anna Bunting Branch.
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  • S2 Ep3: Ryan Gander: DIFFICULT TRUTHS TO LIVE INSIDE - TROUBLE WITH TIME
    Ryan Gander’s inventive, shapeshifting and associative works materialise in many forms ranging from sculpture and writing to painting and performance. His engagement with histories is not without mischief, in his 2006 work A Future Lorum Ipsom, Gander invented a palindromic word, ‘Mitim’, designed to be inserted without comment into newspapers, magazines, crosswords or everyday speech, meaning ‘a mythical word newly introduced into history as if it had always been there’. In this episode of British Art Talks, an array of artists is enlisted in a quixotic project: a countdown from fifty in bingo calls. The funny, rhyming calls evoke a history of a game of pure chance, based on random numbers, dating from the early eighteenth century in Britain. They include visual puns and enigmatic idiom. They speak of clandestine activity, village halls and commercial leisure. First, a story, part of a beat poem, narrated by Ryan as author, to his daughter, Penny, in a disarming and semi-autobiographical form: a history of the artist navigating, inventing, transforming, ludic, in time.
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Über British Art Talks

British Art Talks is the audio series of the Paul Mellon Centre for Studies in British Art. It features new research and aims to enhance and expand knowledge of British art and architecture. The PMC is an educational charity that champions new ways of understanding British art history and culture. We publish, teach and carry out research, both at the Centre in London and through our online platforms. Our archives, library and lively events programme are open to researchers, students and the public. The Centre was founded in 1970 by the art collector and philanthropist Paul Mellon. It is part of Yale University and a partner to the Yale Center for British Art.
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