Act Two Podcast

Host Tasha Huo brings on her Gersh agent, Mark Hartogsohn, for the first in a series designed to help Screenwriters navigate what it means to get an Agent and maximize your working relationship once you have an Agent. In this introductory installment, Tasha and Josh discuss how Mark became a Hollywood agent, what it means to be a Lit Agent for Screen and TV Writers, and how he goes about finding new clients.

 

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist

Hosts Tasha Huo and Josh Hallman break down the mindset shift between rewriting for yourself and rewriting for a job, and what it really means to rewrite like a professional writer. Also, in TWIW... Josh drives Jason Blum's golf cart, and Tasha takes a retreat!

 

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist

Hosts Tasha Huo and Josh Hallman mourn the shuttering of JJ Abrams' Bad Robot by talking about one of their most valuable lessons from JJ... "Cheer Moments". They discuss examples in Film & TV and how to craft an iconic cheer moment in your own script.

 

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist

Just being a great writer doesn't mean you can make it as a professional Screenwriter. Hosts Tasha Huo and Josh Hallman discuss what other qualities professional Screenwriters possess that help make them undeniable hires with career longevity.

 

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist

Hosts Tasha Huo and Josh Hallman field a listener question about Rewrites. Do you really need to rewrite your drafts before sending them to managers and agents? Will that slow momentum? How many scripts should you revise before you can start querying reps? Do you need a portfolio of scripts, or just one solid script?

 

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist