The Editor's Cut

This episode took place on June 21st in Vancouver. An in depth conversation with Sabrina Pitre, CCE, as they dig deep and discuss the story behind the stories of editing FINAL DESTINATION: BLOODLINES and CLOWN IN A CORNFIELD. They discuss the editor/director relationship, navigating notes, working with visual effects, testing, and other nerdy editing things. 
This event will be moderated by Greg, Ng, CCE.

Today's episode is a panel from EditCon 2026 that took place in February 2026. 
Assistant Editors: The Heart of Post Production
This panel has assistants from DAVEY & JONESIE'S LOCKER, DISCO'S REVENGE and LOVE ISLAND USA. They'll discuss the assistant journey, from working with editors on projects to the differences between remote and office workflows, and navigating day-to-day operations in between the edit suites. The assistant editors joining us are Alexander DeSouza, Emily Gilhooley and Lester Lubuguin.This panel was moderated by Victoria Cho.

Today's episode is a panel from EditCon 2026 that took place in February 2026. 
ROOTED IN STORY: IDENTITY, LEGACY AND DECOLONIZATION
Three visionary documentary storytellers explore how the editor's hand shapes narratives rooted in memory, identity, and the contested spaces of land and legacy.
Featuring Elad Tzadok (TREASURE OF THE RICE TERRACES), Ryan Mullins (YINTAH), and renowned editor Mary Stephen, CCE (PALIMPSEST: THE STORY OF A NAME), the panel dives into the unique editorial challenges of crafting vérité-based, community-centred narratives. From remote rice terraces in the Philippines, to the frontline of land defense in northern B.C., to a quiet meditation on ancestral naming across continents, these films each required distinct approaches in balancing structure, ethics, and emotional truth.
Enjoy an inspiring and practical look at the art of shaping multi-layered documentary narratives. Where place becomes a character, sound becomes testimony, and the cut becomes an act of cultural care.
This panel was moderated by Nick Hector, CCE, BFE, ACE

Today's episode is a panel from EditCon 2026 that took place in February 2026. 
Canadian independent films, with their unique funding structures, have fostered a new wave of distinct cinematic voices. From coast to coast, Canadian film editors have shaped a diverse array of stories that reflect the country's rich tapestry of characters, narratives, and forms. Many of these films have shone on international stages and in theatres across the nation. 
We are thrilled to welcome three prolific editors: Kurt Walker, behind the multi-award-winning BLUE HERON; Amélie Labrèche, known for the dreamy and theatrical LE TRAIN; and Brendan Mills, editor of the TIFF-selected 100 SUNSET.
This panel was moderated by Justin Lachance, CCE

Today's episode is a panel from EditCon 2026 that took place in February 2026. 
From one of the most innovative drama series in recent years, we are thrilled to welcome the Emmy-nominated editing team behind SEVERANCE — Geoffrey Richman, Joe Landauer, and Keith Fraase. Together, they will share insights into their mysterious and essential work shaping the show's complex world and emotional depth.
This panel explores the art of storytelling through editing, diving into how the team built the psychological tension and intricate character arcs — both for the innies and outies — within and beyond the walls of Lumon.
This panel was moderated by Sarah Taylor, CCE