The Editor's Cut

Today's episode is a panel from EditCon 2026 that took place in February 2026. 
ROOTED IN STORY: IDENTITY, LEGACY AND DECOLONIZATION
Three visionary documentary storytellers explore how the editor's hand shapes narratives rooted in memory, identity, and the contested spaces of land and legacy.
Featuring Elad Tzadok (TREASURE OF THE RICE TERRACES), Ryan Mullins (YINTAH), and renowned editor Mary Stephen, CCE (PALIMPSEST: THE STORY OF A NAME), the panel dives into the unique editorial challenges of crafting vérité-based, community-centred narratives. From remote rice terraces in the Philippines, to the frontline of land defense in northern B.C., to a quiet meditation on ancestral naming across continents, these films each required distinct approaches in balancing structure, ethics, and emotional truth.
Enjoy an inspiring and practical look at the art of shaping multi-layered documentary narratives. Where place becomes a character, sound becomes testimony, and the cut becomes an act of cultural care.
This panel was moderated by Nick Hector, CCE, BFE, ACE

Today's episode is a panel from EditCon 2026 that took place in February 2026. 
Canadian independent films, with their unique funding structures, have fostered a new wave of distinct cinematic voices. From coast to coast, Canadian film editors have shaped a diverse array of stories that reflect the country's rich tapestry of characters, narratives, and forms. Many of these films have shone on international stages and in theatres across the nation. 
We are thrilled to welcome three prolific editors: Kurt Walker, behind the multi-award-winning BLUE HERON; Amélie Labrèche, known for the dreamy and theatrical LE TRAIN; and Brendan Mills, editor of the TIFF-selected 100 SUNSET.
This panel was moderated by Justin Lachance, CCE

Today's episode is a panel from EditCon 2026 that took place in February 2026. 
From one of the most innovative drama series in recent years, we are thrilled to welcome the Emmy-nominated editing team behind SEVERANCE — Geoffrey Richman, Joe Landauer, and Keith Fraase. Together, they will share insights into their mysterious and essential work shaping the show's complex world and emotional depth.
This panel explores the art of storytelling through editing, diving into how the team built the psychological tension and intricate character arcs — both for the innies and outies — within and beyond the walls of Lumon.
This panel was moderated by Sarah Taylor, CCE

Today's episode was a panel that took place on June 4th with editor Eugene Weis, CCE & DP Lucas Joseph. They talk about their collaboration on the CCE nominated & CSA winning documentary BAM BAM: THE SISTER NANCY STORY. 
This event will be moderated by Monica Guddat.

In today's episode we are joined by Irish editor Brian Philip Davis about his work on HOKUM which had its world premiere at SXSW in 2026. We talk about how to create the best jump scare and how to  leave the audience on the edge of their seats in a case scene!
Brian Philip Davis is known for his work in genre cinema, with films showcased at prestigious festivals like Sundance, Tribeca, TIFF, SXSW, Frightfest, and Fantastic Fest. Recent projects include Damian Mc Carthy's Oddity, which won audience awards at SXSW and the Overlook Film Festival, as well as a Saturn Awards nomination for Best International Film.
Upcoming projects include Hokum, another collaboration with Damian Mc Carthy (starring Adam Scott) to be released by NEON on May 1st, as well as The Incomer, a folk comedy (starring Domhnall Gleeson) written and directed by Louis Paxton premiered at Sundance Film Festival 2026.
Additional titles include Bad Day for the Cut, Boys from County Hell, The Occupant, Here Before, The Devil's Doorway.
He is a member of Irish Screen Editors, British Film Editors, BAFTA and is represented by UTA.