The Editor's Cut

In today's episode we are joined by Irish editor Brian Philip Davis about his work on HOKUM which had its world premiere at SXSW in 2026. We talk about how to create the best jump scare and how to  leave the audience on the edge of their seats in a case scene!
Brian Philip Davis is known for his work in genre cinema, with films showcased at prestigious festivals like Sundance, Tribeca, TIFF, SXSW, Frightfest, and Fantastic Fest. Recent projects include Damian Mc Carthy's Oddity, which won audience awards at SXSW and the Overlook Film Festival, as well as a Saturn Awards nomination for Best International Film.
Upcoming projects include Hokum, another collaboration with Damian Mc Carthy (starring Adam Scott) to be released by NEON on May 1st, as well as The Incomer, a folk comedy (starring Domhnall Gleeson) written and directed by Louis Paxton premiered at Sundance Film Festival 2026.
Additional titles include Bad Day for the Cut, Boys from County Hell, The Occupant, Here Before, The Devil's Doorway.
He is a member of Irish Screen Editors, British Film Editors, BAFTA and is represented by UTA.

In today's episode Amanda Pollack, ACE, BFE joins us to talk all things Palm Royale. 
Amanda Pollack, ACE, BFE is a born and raised New Yorker, who spent a number of years in the UK as well. She has always loved the way pictures, sound, and music work together to tell stories. Amanda believes her affinity for music and sense of rhythm contribute greatly to the craft of editing. Television Credits include The Patient, The Good Fight, The Sinner, Smash, Skins, In Treatment, The Americans, Godfather of Harlem, and Palm Royale.
In Feature Films, Amanda has worked with an impressive list of directors, including Robert Altman, Terry Gilliam, Ang Lee, Sidney Pollack, Martin Brest, and David Frankel. Amanda also earned credit as Additional Music Editor on The Devil Wears Prada, after finding and editing much of its songs and score.
Amanda loves her work, and feels very fortunate to be in this collaborative business of storytelling as an Editor.

div]:bg-bg-000/50 [&_pre>div]:border-0.5 [&_pre>div]:border-border-400 [&_.ignore-pre-bg>div]:bg-transparent [&_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [&_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8"> _*]:min-w-0 gap-3 [&_>_*:last-child]:mb-0 print:block print:[&_>_*_+_*]:mt-3 standard-markdown"> In today's episode we're joined by editor Jane MacRea, who has over 15 years of experience in TV and feature films. Her work spans comedy, horror, drama, and science fiction in both short and feature formats, and has been featured at film festivals around the world.
Today we discuss her work on the feature film NIKA AND MADISON, which had its world premiere at the 2025 Toronto International Film Festival. We also dive into her work on the Netflix series XO, Kitty.
You can now watch Nika and Madison on CBC Gem!

Today's episode is a Master Series panel that took place virtually on May 13th, 2026.
Jerry Skibinsky, editor of Heartland sits down with Sarah Taylor, CCE to talk about his path from AD and location management departments to the edit suite, and what that on-set foundation brings to his work as an editor.

Today's episode is a panel that took place virtually in June 2025.
Editor Xi Feng sits down with director and editor Catherine Legault about her second feature documentary, Larry (they/them).
Catherine is a prolific, award-winning editor and the host of the CCE's French podcast L'Art du Montage. In Larry (they/them), she takes on the dual role of director and editor, following the vibrant and deeply personal journey of non-binary Montreal photographer Laurence Philomène. Their colourful and intimate photography not only shines throughout the film but also offers a poignant glimpse into the evolving experience of embracing a gender-nonconforming identity.