Frame & Reference Podcast

225 Episoden

230: "Pluribus" Cinematographer Marshall Adams, ASC
19.02.2026 | 1 Std. 3 Min.
Marshall Adams joins us this week to talk about Pluribus!
Enjoy!

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Produced by Kenny McMillan
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229: "Percy Jackson" Cinematographer Jules O'Loughlin, ASC ACS
12.02.2026 | 1 Std. 8 Min.
Jules O'Loughlin returns! This time we're talking about the second season of Percy Jackson & The Olympians! Jules is a wealth of knowledge and a great hang, so I know you're gonna love this one.
Enjoy!

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Produced by Kenny McMillan
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228: "Eternity" Cinematographer Ruairi O'Brien, ISC BSC
05.02.2026 | 56 Min.
Today I have the absolutely effervescent Ruairí O'Brien on to talk about Eternity, a film that I came out of the theater absolutely in love with. If you haven't seen it yet and you love feeling good and having a solid laugh, you MUST cue it up immediately. Or put it in your queue. Either works.
Enjoy!

(as a quick note, Ruairi and I were having some lag issues during our chat so sometimes we end up stepping over each other trying to talk. Sorry about that!)

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Produced by Kenny McMillan
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227: "Train Dreams" Cinematographer Adolpho Veloso
29.01.2026 | 1 Std. 8 Min.
Today I'm privilidged to be joined by Adolpho Veloso, here to talk about his recent, wildly popular film Train Dreams, which recently netted him nominations for the Cinematography Oscar and an ASC award!
Enjoy!

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Produced by Kenny McMillan
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226: "Hamnet" Cinematographer Łukasz Żal
22.01.2026 | 1 Std. 13 Min.
This week on Frame & Reference I'm joined by Lukasz Zal, cinematographer of such films as Zone of Interest, I'm Thinking of Ending Things, Ida, Cold War, and most recently, Hamnet. We go deep on this one, you're going to love it!
Enjoy!

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Produced by Kenny McMillan
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Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan. Each episode dives into the respective DP's current and past work, as well as what influences and inspires them. These discussions are an entertaining and informative look in to the world making films through the lens of the people who shoot them.

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