AP Taylor Swift

“Why you gotta be so mean?”

In this week’s episode of AP Taylor Swift, we put “Mean” (Speak Now), “nothing new” (Red, Taylor’s Version), and “mirrorball” (folklore) under the lens of feminist literary theory. We talk about the male gaze, the ingenue, gendered violence imagery, the punishment of “unlikeable” women, and why a song written over a decade ago can still feel like it was written yesterday.

 

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next.

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Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes.

 

Mentioned in this episode

Middlemarch, George Eliot

Unlikeable Female Characters: The Women Pop Culture Wants You to Hate, Anna Bogutskaya

The Robber Bride, Margaret Atwood

Mean Girls (2004)

Grease (1978)

It’s a Man’s (Celluloid) World, Center for the Study of Women in Television & Film, San Diego State University

 

Episode Highlights

[00:23] Welcome to the Show & Tell — Women’s History Month and a primer on feminist literary theory

[04:59] “Mean” (Speak Now) — gendered weapon imagery and “you, with your words like knives and swords”

[20:37] “nothing new” (Red, Taylor’s Version) — false empowerment and “girls go out and have your fun”

[37:32] “mirrorball” (folklore) — adapting yourself for others’ approval

Follow AP Taylor Swift podcast on social!

TikTok → tiktok.com/@APTaylorSwift

Instagram → instagram.com/APTaylorSwift

YouTube → youtube.com/@APTaylorSwift

Link Tree → linktr.ee/aptaylorswift

Bookshop.org → bookshop.org/shop/apts

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Contact us at aptaylorswift@gmail.com

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"I don't want to keep secrets just to keep you" This week on AP Taylor Swift, we're going line-by-line through Taylor Swift's "Cruel Summer" (Lover, 2019). This episode turns into a deep dive into fever dreams, Shakespeare's Romeo and Juliet, attachment theory, and the surprising twist that the real red flag in this song might be Taylor herself.

Two ways to get more of AP Taylor Swift: 

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. 

Subscribe: http://aptaylorswift.substack.com/subscribe

First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount 

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

The Great Gatsby, F. Scott Fitzgerald

Romeo and Juliet

A Midsummer Night's Dream 

Attached

 

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Episode Highlights: 

[04:02] How we do a deep dive 

[06:48] “Fever dream high in the quiet of the night”

[11:34] “Devils roll the dice, angels roll their eyes”

[13:20] “It’s blue, the feeling I’ve got”

[19:20] “Hang your head low in the glow of the vending machine”

[25:10] “Cut the headlights, summer’s a knife”

[29:47] “I’m drunk in the back of the car” 

[34:15] “He looks up grinning like a devil”

[40:08] Purpose of the song 

 

Follow AP Taylor Swift podcast on social!

TikTok → tiktok.com/@APTaylorSwift

Instagram → instagram.com/APTaylorSwift

YouTube → youtube.com/@APTaylorSwift

Link Tree → linktr.ee/aptaylorswift

Bookshop.org → bookshop.org/shop/apts

Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"Now the sun burns my heart and the sand hurts my feelings" This is a re-air of one of our favorite episodes. We’re  looking at the literary symbolism of summer — freedom, danger, nostalgia, and everything in between. Jenn breaks down "Cruel Summer" (Lover, 2019), Jodi covers "August" (folklore, 2020), and Maansi digs into "hits different" (Midnights, 2023). Along the way we bring in The Great Gatsby, A Midsummer Night's Dream, and more to unpack why summer shows up in literature as both a season of freedom and a season that can cut you to the bone.

Two ways to get more of AP Taylor Swift: 

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. 

Subscribe: http://aptaylorswift.substack.com/subscribe

First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount 

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

The Great Gatsby, F. Scott Fitzgerald

A Room with a View, E.M. Forster

A Midsummer Night's Dream, William Shakespeare

My Ántonia, Willa Cather

A Wrinkle in Time, Madeleine L'Engle

What Happened to Goodbye, Sarah Dessen

"White Houses", Vanessa Carlton

 

Episode Highlights:

[02:30] Topic introduction — Summer in literature

[09:32] "Cruel Summer" (Lover, 2019)

[20:05] "August" (folklore, 2020)

[34:05] "hits different" (Midnights, 2023)

 

Follow AP Taylor Swift podcast on social!

TikTok → tiktok.com/@APTaylorSwift

Instagram → instagram.com/APTaylorSwift

YouTube → youtube.com/@APTaylorSwift

Link Tree → linktr.ee/aptaylorswift

Bookshop.org → bookshop.org/shop/apts

Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

"I like shiny things, but I'd marry you with paper rings." To celebrate Taylor Swift and Travis Kelce's wedding, we each picked a song from Taylor's discography that captures a different perspective on marriage:  the fairy tale proposal of "Love Story" (Fearless, 2008), the anti-materialist love declaration in "Paper Rings" (Lover, 2019), and the suburban married-life contentment of "Wi$h Li$t" (The Life of a Showgirl, 2025). 

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe

First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes 

Mentioned in this episode:

E32: Love Story Song Analysis

De Beers Diamond Marketing Campaign History

Romeo and Juliet, William Shakespeare

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Episode Highlights:

[00:00] Congratulations to the happy couple!

[06:52] "Love Story" — the fairy tale proposal

[17:09] "Paper Rings" — I don't need the shiny things 

[32:35] "Wishlist" — boss up, settle down 

[46:00] The songs we didn't pick (and why)

[48:44] What was their first dance?

Follow AP Taylor Swift podcast on social!

TikTok → tiktok.com/@APTaylorSwift

Instagram → instagram.com/APTaylorSwift

YouTube → youtube.com/@APTaylorSwift

Link Tree → linktr.ee/aptaylorswift

Bookshop.org → bookshop.org/shop/apts

Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

“Life was a willow and it bent right to your wind”  This week, we finally try to find the actual meaning behind Taylor Swift's "willow" (evermore, 2020), starting with the witchy mythology behind the title (hello, Hecate, Greek goddess of magic and the underworld) and tracing a real power dynamic underneath it. 

Two ways to get more of AP Taylor Swift:

Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe

First 50 people to grab a Substack After School annual plan get 40% off: https://aptaylorswift.substack.com/wishlistmemberdiscount

Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes

Mentioned in this episode:

"willow", evermore (2020)

“The Odyssey” Deep Dive (E136) 

Aesthetic Theory (E29)

Witches (E60)

Hecate, Greek goddess of magic and the underworld

Harry Potter and the Whomping Willow

Pocahontas and Grandmother Willow

"WAP", Cardi B

How I Met Your Mother

Episode Highlights:

[00:00] Intro — continuing last week's Odyssey deep dive into "willow" 

[01:59] The title: willow mythology, Hecate, and witchy vibes 

[05:26] “I'm like the water when your ship rolled in that night”

[17:07] “Lost in your current like a priceless wine”

[28:55] “Life was a willow and it bent right to your wind”

[42:49] “I come back stronger than a 90s trend”

[59:04] The purpose of the song 

Follow AP Taylor Swift podcast on social!

TikTok → tiktok.com/@APTaylorSwift

Instagram → instagram.com/APTaylorSwift

YouTube → youtube.com/@APTaylorSwift

Link Tree → linktr.ee/aptaylorswift

Bookshop.org → bookshop.org/shop/apts

Libro.fm → tinyurl.com/aptslibro

Contact us at aptaylorswift@gmail.com

Affiliate Codes:

Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!

Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro

This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.