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Brought to you by the Directors Guild of America, ”The Director’s Cut” will bring you the behind-the-scenes stories of today’s most talked about films. Each ep...
Conclave with Edward Berger and Jay Roach (Ep. 509)
Director Edward Berger discusses his new film, Conclave, with fellow Director Jay Roach in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses casting his Actors in roles playing in extremes from one another, how he collaborated with his Cinematographer to closely convey the protagonist’s point of view, and working with his Costume Designer to craft authentic and eye-catching designs reflective of their real-world influence.
The film follows Cardinal Lawrence, who is tasked with leading one of the world’s most ancient events: the selection of a new Pope. Surrounded by powerful religious leaders in the halls of the Vatican, he soon uncovers a trail of deep secrets that could shake the very foundation of the Roman Catholic Church.
See photos and a summary of this event below:
https://dga.org/en/Events/2025/January2025/Conclave_QnA_1124
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33:19
The Piano Lesson with Malcolm Washington and David E. Talbert (Ep. 508)
Director Malcolm Washington discusses his new film, The Piano Lesson, with fellow Director David E. Talbert in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his process of expanding on a traditional play adaptation beyond the original text, searching for a “punchline” in the pacing of his editing, and shooting the film in sequence to allow his production to evolve in conjunction with the story.
Based on the acclaimed play by August Wilson, the film navigates the lives and legacies of the Charles family. In the aftermath of the great depression, a brewing battle lurks over what to do with the family heirloom - a piano documenting the family history with carvings made by an enslaved ancestor.
See photos and a summary of this event below:
https://dga.org/en/Events/2025/January2025/PianoLesson_QnA_1124
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35:34
Crossing with Levan Akin and Victoria Hochberg (Ep. 507)
Director Levan Akin discusses his new film, Crossing, with fellow Director Victoria Hochberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how immersing himself in the community lead to him wanting to make this film, his control over the camera allowing the audience to feel as if they’re exploring the city on their own, and his thought process behind how he chose to handle the reveal at the end of the film.
Screened as part of the DGA’s Global Cinema Series, the film tells the story of Lia, a retired teacher, who has promised to find her missing niece. Her search takes her to Istanbul, where she meets a lawyer fighting for trans rights, and gets closer than ever to finding her missing family.
See photos and a summary of this event below:
https://dga.org/en/Events/2024/Dec2024/GCS_Crossing_1124
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26:32
Gladiator II with Ridley Scott and Fede Alvarez (Ep. 506)
Director Ridley Scott discusses his new film, Gladiator II, with fellow Director Fede Alvarez in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he decided on casting Actor Paul Mescal in the lead role, how he distances himself from the post process so he and his team have space to do their best work, and which of his legacy films he would preserve if he could only choose one.
The sequel to Scott's 2000 film Gladiator takes place years after the events of the first film and follows Lucius—who as a child witnessed the revered hero Maximus die at the hands of his uncle. As his home is conquered and he is forced to fight as a gladiator in the Colosseum, Lucius attempts to reclaim everything he has lost.
See photos and a summary of this event below:
https://dga.org/Events/2025/January2025/GladiatorII_QnA_1124
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33:38
Bull Street with Lynn Dow and Sarah Pirozek (Ep. 505)
Director Lynn Dow discusses her new film, Bull Street, with fellow Director Sarah Pirozek in a Q&A at the DGA theater in New York. In the conversation, she discusses casting her main character based on key scenes modeled off her own experiences, filming in significant locations in her family’s hometown, and the trials on set that allowed her to improve her directing technique as a first-time Director.
The film tells the story of LouEster, a small-town personal injury lawyer who was raised by her grandmother after her mother died in childbirth. When an entitled Ivy League lawyer questions their ownership of their home and its surrounding land, the stage is set for a clash of privilege against family.
See photos and a summary of this event below:
https://dga.org/en/Events/2024/Dec2024/BullStreet_QnA_1124
Brought to you by the Directors Guild of America, ”The Director’s Cut” will bring you the behind-the-scenes stories of today’s most talked about films. Each episode features a different director interviewed by one of their peers, leading to revealing conversations about the grueling, but rewarding process of bringing their films to life.
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