Cinematography Salon

• Bianca Cline: A Cinematographer’s Reckoning With Tragedy, Legacy, and Honoring a Fallen Colleague on the Set of Rust

  What does it mean to carry someone else’s artistic legacy forward? Bianca Cline joins the Cinematography Salon Podcast to share a rare and deeply moving look behind the lens, stepping into the unfinished production of Rust following the tragic death of cinematographer Halyna Hutchins, ASC. Bianca discusses the moral and emotional calculus behind accepting the role, her consultations with Hutchins’ family, and the quiet determination to preserve Halyna’s memory. A memorial scholarship has been established in Halyna's name at the AFI Conservatory. Donate here it you wish to contribute to the scholarship fund.Bianca Cline’s Instagram | WebsitePeter Pascucci’s Instagram | WebsiteAva Benjamin Shorr’s Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

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• Zach Kuperstein: A Cinematographer’s Mission to Make Local 600 Transparent, Democratic, and Member-Led

  Joining us this week is Zach Kuperstein, a New York-based cinematographer known for his work on "Barbarian" and his collaboration with Anna Kendrick on her highly anticipated directorial debut, "Woman of the Hour". Zach sits down with host David Kruta to discuss why he’s running for office in Local 600, breaking down contract negotiations, leadership stagnation, and why democratic engagement among union members matters now more than ever. With elections looming, Kuperstein outlines a progressive campaign for union leadership - and why the status quo is no longer sustainable for working camera professionals.If you are enjoying the podcast, please consider supporting our efforts on Patreon.Zach Kuperstein’s Instagram | WebsiteCREW’s Instagram | WebsiteDavid Kruta’s Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

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• Sam Levy: A Well-Rested Mind and The Art of Invisible Cinematography

  Sam Levy’s body of work has helped define contemporary American independent cinema. In this episode, Levy pulls back the curtain on his methodical, deeply personal approach to cinematography, revealing how scripts, performances, and even sleep all shape his lens. Levy revisits career-defining moments with Greta Gerwig, Noah Baumbach, and Kelly Reichardt, and speaks on how technical mastery is often best used in service of disappearing. If you are enjoying the podcast, please consider supporting our efforts on Patreon.Sam Levy’s Instagram | WebsitePeter Pascucci’s Instagram | WebsiteAva Benjamin Shorr’s Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

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• Santiago Gonzalez: How Los Frikis Brought 1990s Havana to Life (Special Cameraimage Episode)

  When the realities of censorship made filming in Cuba impossible, production of Los Frikis moved to the Dominican Republic, where cinematographer Santiago González and his team worked tirelessly to create a world that felt authentic down to the sodium vapor streetlights. In this special Camerimage episode, Ava Benjamin Shorr and Lauren Guiteras sit down with Santiago and break down how the film’s color palette, lens choices, and shooting methodology reinforce its themes of rebellion and freedom.Los Frikis will be available to stream beginning March 28th.If you are enjoying the podcast, please consider supporting our efforts on Patreon.Santiago Gonzalez’s Instagram | WebsiteAva Benjamin Shorr’s Instagram | WebsiteLauren Guiteras’s Instagram | WebsiteThis episode is sponsored by Fujifilm, Creamsource and Sandisk, with special thanks to Kondor Blue.

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• Alan Besedin of IronGlass: Shaping the Future by Reclaiming the Past

  In an age of pristine, digitally clinical imagery, cinematographers are increasingly drawn to imperfection—the swirl of a bokeh, the dreamlike haze of vintage glass. The Soviet-era lenses that once defined an era of photography are experiencing a rebirth through IronGlass, a Ukrainian company turning vintage optics into modern cinema glass. Hosts Peter Pascucci and Ava Benjamin Shorr sit down with Alan Besedin to discuss how IronGlass, despite the challenges of war and supply shortages, has built a dedicated following. From their early rehousings to supplying lenses for The Batman and Dune: Part Two, the conversation explores how artistry, resilience, and innovation converge in the pursuit of the perfect image.If you are enjoying the podcast, please consider supporting our efforts on Patreon.Alan Besedin’s/IronGlass Instagram | WebsitePeter Pascucci’s Instagram | WebsiteAva Benjamin Shorr’s Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

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