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  • Camaraderie and Irish attitudes in Nigerian writer’s short story collection
    Poignant, upsetting, at times quite funny, the short story collection This Hostel Life, from Nigerian novelist Melatu Uchenna Okorie, elicits a response. Okorie’s stories stem from her life and the lives of others, ranging from childbirth in rural Nigeria to racism in rural Ireland. Okorie drew on her experiences from her eight-and-a-half years in DP, or Direct Provision – the Irish refugee system, which can be draconian. In DP, asylum seekers are housed in old hotels, at times in very remote areas, are generally not allowed to work, and are given a tiny weekly allowance to live. The short story This Hostel Life shows the everyday racism encountered by African women in DP. But amidst the hardship, a camaraderie among the women from various countries shines through in their playful banter. The other two stories in the collection take place in diverse settings – the first, The Egg Broke, speaks of the long-ago "problem" of a woman having twins in a rural area in Nigeria. The second, Under the Awning, concerns a story within a story. A tale, written by the main character about living in Ireland while black, comes under attack by her writers' group.  “There was something about not wanting to touch the story, not wanting to add other things to it to appeal to the Irish as I was advised to do within the creative writing workshop,” said Okorie in her interview with RFI's Africa: Stories in the 55. Okorie’s own experiences of taking writing classes and the push by other writers to compel her to tone down her story drove the piece.
  • Helon Habila's novel 'Travelers' explores the lives of Africans in exile
    In Nigerian author Helon Habila’s latest novel, “Travelers”, Habila brings African expat and migrant stories to life in a number of short stories that are woven into a complex narrative of safety, identity, loss, and love. He also reflects on his own experiences, dealing with homesickness in “a new place that you’re trying to make sense of.” In stories that begin and end between Germany, London, Malawi, Somalia, and Libya, in apartment blocks and refugee camps, Habila draws on personal tales why people live outside their countries for various reasons. The first encounter with Mark, a young Malawian who holds a life-changing secret, sets the pace for this look into the lives of others. One character, an elderly Zambian writer, is a political dissident in exile, a familiar person with African expats, the token African writer living outside of the continent. “You leave your country and you cannot be the kind of writer you want, the kind of writer you thought you were going to be,” says Habila.” You become this voice of Africa, you’re interviewed any time there is a coup d’etat,” he says adding that political dissidence because it is the only thing that gives him relevance. Ultimately, each and every one of us has a journey, and a story, says Habila. His experience with talking to Africans in Europe is that they want to be understood. “They feel unseen… anyone who listens to them is validation that they are alive and they are heard.”
  • Contrasting images of his native Nigeria in Nnamdi Ehirin's debut novel, The Prince of Monkeys
    In April's Stories from the 55 podcast, Laura Angela Bagnetto speaks to Nnamdi Ehirin from Nigeria about a coming-of-age story called The Prince of Monkeys. The author also reads an extract from his work. The Prince of Monkeys unites politics and religion through a first-person narration. It's a story weaving in and out of the bonds between four old friends. It contains hints of autobiographical writing, embodied in close observations of Nnamdi Ehirin's own culture at the end of the 20th Century. Of his main character, he says, "The narrator is passive and deliberately so. It's not particularly autobiographical though. When I was growing up I was not the most vocal and I always open to ideas from other people in the group, open to trying out new things. It's not being passive, as being weak. He's open to others' ideas." Also, one of Laura Angela Bagnetto's guests in 2018, Sulaiman Addonia who wrote Silence of My Mother Tongue, shares his favourite novel in the Heinneman African Book series called Season of Migration to the North by Sudanese writer Tayeb Salih. He says, "It taught me that for a writer there shouldn't be any forbidden place ... Tayeb Salih taught me about the freedom of writing."
  • South African novelist Mphuthumi Ntabeni shines a light on the Xhosa narrative
    In this month's Africa: Stories in the 55, South African writer Mphuthumi Ntabeni describes his twenty-year journey into the mind of Maqoma, a chief in the Xhosa community who lived in the 1800s. Ntabeni uses Maqoma's lifelong struggle against the British as the backdrop for his novel The Broken River Tent, as Maqoma guides modern-day character Phila through the realities of fighting for their land. Writer Mphuthumi Ntabeni speaks of the difficulty in writing about such a painful time in Xhosa history, but he says inspiration came from the fact that there are no books that speak of the land invasions in the Eastern Cape in the 1800s from a Xhosa point of view. "I put psychological emotions and thinking behind the actual historical events," says Ntabeni.   Also included in this podcast: Nigerian writer Nnamoi Ehirin, author of Prince of Monkeys, his debut novel out in April, speaks about his favorite book from the Heinemann African classics series.
  • Life and sensuality in a refugee camp in Suliaman Addonia's "Silence is My Mother Tongue"
    In "Silence is My Mother Tongue", the latest novel by Eritrean-Ethiopian writer Sulaiman Addonia, teen Saba and her brother Hagos arrive at a refugee camp in Sudan, where she is determined to continue her studies, while he is content to take care of her. The other Eritrean refugees bring their conservative views to the camp, especially when it comes to women. Addonia brings Saba to life through her fight to determine her own future, refusing the traditional restrictions imposed on her gender. "We need to take responsibility and accountability for the war we commit, especially against women," says Addonia, speaking of the struggle Saba has to assert herself, and her quest to finish her educaiton. "If there are crimes committed by women, or seem to be committed by women, they are extremely highlighted," he adds. Also included in this podcast: Helon Habila, Nigerian author of "Travelers", a novel coming out in June, speaks about his favorite book from the Heinemann African classics series.

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