Back in America

I am Stan Berteloot and this is Back in America. Today I am speaking via Skype with : Sharing Our Stories of Race, Culture, & Identity by Winona Guo, Priya Vulchi

I am Stan Berteloot and this is Back in America. Today I am speaking with Richard Heinberg a Senior Fellow at the Post Carbon Institute, and one of the world’s foremost advocates for a shift away from our current reliance on fossil fuels. Richard has written for many publications including Nature, Reuters, Wall Street Journal, The American Prospect, Public Policy Research, Quarterly Review just to name a few. He’s been quoted by Reuters, the Associated Press, and Time Magazine, and has appeared on Good Morning America, Canadian Broadcasting Corporation, Australian Broadcasting Corporation, Al-Jazeera, and C-SPAN, NPR and others. Leonardo DiCaprio’s called on Richard’s expertise for his documentary the 11th Hour. Richard, I wanted to speak with you about a topic that’s increasingly present in Europe and which is making its way into North America that’s the concept of our society’s collapse or l’effondrement has it is now called in French. The idea is that the process by which basic needs (water, food, shelter, clothing, energy, etc.) are no longer provided (at a reasonable cost) to a majority of the population by services regulated by law.  As Pablo Servigne puts it, collapse is both distant and close, slow and fast, gradual and brutal. It involves not only natural events but also (and above all) political, economic and social shocks, as well as events of a psychological nature. Collapse means that our fossil fuel-based civilization, cannot sustain itself and will fail.  People that study how societies collapse believe that tomorrow is going to be very different from today. That no green energy and no technology are going to save our way of life. Not even the concept of degrowth will work since we can’t force humanity into stopping production and consumption, especially in developing countries. So yes, they say, we are running into a wall. But what’s interesting is that that same person, those that a convinced that we will sooner or later collapse are also full of hope. They say that we have to do everything we can today to smoothen this collision. We have to decelerate, we have to put on our seatbelt and prepare everyone for the shock. They are convinced that preparing for the world to come will give us hope as we work to create for a better society, more collective and resilient.   Richard's List of Books    

Matt Dubberke, Ron Menapace, Fernando Freitas from Homestead Princeton Ron Menapace owner of Homestead #Princeton talks about his experience from corporate America working in sales for a #Pharma company to creating a home décor and furniture store in Princeton. He shares his challenges competing against large online retailers and the commoditization of furniture as well as his fears of a business slowdown due to the #Coronavirus disease (COVID-19) pandemic.  Princeton Homestead is a furniture and home décor store specialized in custom barn wood furniture located in the heart of Princeton, on Palmer square.  Ron's dad was a carpenter, after a degree in Sport Management Ron also had a stint at woodwork, fixing and refurbishing furniture. Yet he went on to work in sales for a large pharma corporation. 12 years later, however, he and his wife Kristen decided to follow their dreams and, in 2011, opened what was then called the Farmhouse.  

Trailer Hi, my name is Stan Berteloot. I'm a French journalist living in Princeton, New Jersey and I'm the host of Back in America . In this podcast, I explore what makes America, America. To do this. I've met with black activists, abuse survivors, men questioning traditional masculinity, business people, teachers, gay dancers, and politicians "Well I love America, I think they're very few places in the world. Where are young foreigners can come And be established on a completely equal footing to people who grow up in the culture" "At no point in time in the history of this country was a black man allowed to be fully seen and to fully represent himself as a man" "To be American to me is to make your dreams truly come true I mean, I dreamt of being a principal dancer. being gay and married to a man and having children. That was my dream when I was little." "I was 12. We were also expected, just as we would have if we had been in Mexico is to help contribute to the family and so we went to work in the fields." "We were all sold a lie that holding in our feelings and not sharing them not talking about them equated with manhood" "My father was a nuclear engineer and while he was a brilliant man. He was also a monster. My abuse started very young when I was a toddler." "This young lady. Fade in a meeting which was right on the money. You always talk to us about living in the past or can we get away from the past? How can we get away from the past when the past presents itself in the present?" In this podcast, I want to understand why people do the things they do. What drives them? And how this culture and this country, is influencing them. Don't miss upcoming episodes of Back in America. Subscribe now wherever you get your podcast!  

Je suis Stan Berteloot et vous écoutez Back in America, un podcast où j’explore la société américaine à travers des parcours de vie hors du commun ! Cette interview est pour la première fois en français. Mon invitée est la peintre française Carole Jury. Carole vit à Princeton dans le New Jersey depuis cinq ans. Elle est à l’origine du groupement « Women Artists I From France to USA ». Hyper active, et de plus en plus sollicitée, elle expose aux quatre coins des Etats-Unis, en Europe et à Dubaï. La peinture a toujours eu une place centrale dans la vie de cette femme de 44 ans, mais l’art restait un hobby, une passion jusqu’à son installation à Princeton, dans le New Jersey avec son mari Kamel et ses trois enfants. Avant de signer sa lettre de démission, Carole était responsable de la communication d’une grande entreprise de l’industrie chimique et pour elle l’idée de rester à la maison, loin de ses racines et sans sa propre identité, était une perspective inédite et difficile. Lorsque nous avons préparé cet entretien, Carole m’a dit, “Je suis devenue ‘la femme de mon mari’. Ne plus avoir de profession c’était comme perdre mon identité.” En effet d’après le baromètre Humanis-Lepetitjournal.com seuls 14% des professionnelles envoyées à l’étranger sont des femmes, qui partent en solo pour un tiers d’entre elles. En conséquence, dans 91% des cas, le conjoint d’expatrié est une femme, qui met très souvent sa carrière entre parenthèses. Par ailleurs, malgré un niveau d’études élevé (un bac + 4 et trois langues parlées dans 72% des cas), seule la moitié des conjoints qui veulent travailler – ils sont 8 sur 10 – trouve un emploi sur place. C’est donc dans ce contexte que Carole devient consultante en communication pour des entreprises françaises installées aux Etats-Unis. Mais la peinture ne te quitte pas et, un an après son arrivée, elle s’y consacre à temps plein. Sa recommandation de livre :