Everything in Bethel, Alaska comes in by cargo plane or barge, and even when something stops working, it’s often too expensive and too inconvenient to get it out again. So junk accumulates. Diane McEachern has been a resident of Bethel for about 20 years, and she’s made it her personal mission to count every single dead car in the city. Dead cars are the most visible manifestation of the town’s junk problem. You see them everywhere -- broken down, abandoned, left to rust and rot out in the elements.
Plus, a preview of Radiotopia’s newest series !
370- The Pool and the Stream Redux
This is the newly updated story of a curvy, kidney-shaped swimming pool born in Northern Europe that had a huge ripple effect on popular culture in Southern California and landscape architecture in Northern California, and then the world. A documentary in three parts with a brand new update about how this episode resulted in a brand new skate park in a very special city.
369- Wait Wait...Tell Me!
Waiting is something that we all do every day, but our experience of waiting, varies radically depending on the context. And it turns out that design can completely change whether a five minute wait feels reasonable or completely unbearable. Transparency is key.
368- All Rings Considered
Before we turned our phones to silent or vibrate, there was a time when everyone had ringtones -- when the song your phone played really said something about you. These simple, 15 second melodies were disposable, yet highly personal trinkets. They started with monophonic bleeps and bloops and eventually became actual clips of real songs. And it was all thanks to a man named Vesku-Matti Paananen.
367- Peace Lines
There are many walls in Belfast which physically separate Protestant neighborhoods from Catholic ones. Some are fences that you can see through, while others are made of bricks and steel. Many have clearly been reinforced over time: a cinderblock wall topped with corrugated iron, then topped with razor wire, stretching up towards the sky. Many of the walls in Northern Ireland went up in the 1970s and ‘80s at the height of what’s become known as “The Troubles.” Decades later, almost all of the walls remain standing. They cut across communities like monuments to the conflict, etched into the physical landscape. Taking them down isn’t going to be easy.